The Editors

JOSE LEGASPI, Greed, 1997, pastel on paper, 92 x 61 cm.

Issue

Eating their words : A Filipino Narrative

Ana P. Labrador

KATE BEYNON, Li Ji Warrior Girl, 2000 (details), animated video.

Issue

warrior girl: Kate Beynon’s tussle with language

Stuart Koop

SEONG CHUN, Untitled (Fully Equipped), 1998,text on crocheted paper, thread, 2.65 x 2.7 x 1.3 m.

Issue

Suspended in ambivaence: The installations of Seong Chun

Joan Kee

NAM JUNE PAIK in collaboration with NORMAN BALLARD, PAUL GARRIN, DAVID HARTNETT and STEPHEN VITIELLO, Modulation in Sync, 2000, laser projections installation, Guggenheim Museum, N

Issue

TV Buddha, video fish: The worlds of Nam June Paik

Jonathan Goodman

DENNIS ASCALON, For I am the Truth and the Only Way,1998, mixed media, 126 x 95 cm

Issue

Picnic in an art garden: The 2000 Kwangju Biennale

Robert J. Fouser

HAROLD JOSEPH THOMAS, Tribal Abduction, 2016, synthetic polymer paint on canvas, 134 x 214 cm. Courtesy Museum and Art Gallery of the Northern Territory, Darwin.

News

Harold Joseph Thomas Wins 2016 Telstra Art Award

Amelia Abramson

Installation view of RANA BEGUM's exhibition

Imported

The Space Between

Cleo Roberts

AISHA KHALID, Comforter, 2008, quilt and needles, 190 x 265 x 12 cm. Courtesy Gallery Isabelle van den Eynde, Dubai.

Imported

Domestic Affairs

Katherine Volk

YU PENG, Studio of the Heart: How Glad, 1992, ink on paper, 139 x 138.5 cm.

Issue

Man and Earth

Larry D. Lutchmansingh

ZHAO BANDI, The Big Rumour, Spreading Until Today, 1994, iron and perspex, 150 x 300 cm.

Issue

Moonflight in Beijing

Susan Dewar

ANTONIO MAK, Heaven and Hell, 1993.

Issue

A Poverty of Space

Oscar Ho

ALEXIS (KCHO) LEYVA, Untitled, 1994, Fifth Havana Bienal.

Issue

La Quinta Bienal de la Habana

Djon Mundine

NALINI MALANI, Dreamings and Defilings, 1991, accordion book, 22.9 x 279.4 cm. Side 1: watercolour, ink and enamel on mylar. Side 2: watercolour on monotype and photocopied collage

Issue

Nalini Malani: Missives from the Streets

Kamala Kapoor

VIVAN SUNDARAM, A River Carries its Past, 1992, (detail) engine oil and burn marks on handmade paper, 203 x 304 x 30 cm approx.

Issue

Vivan Sundaram: Storm over Asia

Deepak Ananth

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