The Editors

Wooden Garuda statue, paint on wood.

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Kitsch and Craft on Bali

Adrian Vickers

DONALD FRIEND, The Earth Imagined by Martians, 1977, pen and ink, wash, watercolour, gouache, gold leaf, 197 x 551.2 cm, National Gallery of Australia, Canberra.

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Donald Friend and Bali

Barry Pearce

MAWALAN, Djambuwal the Thunderman, 1967, ochre on bark, 156 x 54.5 cm, Yirrkala, North East Arnhem Land. Collection Northern Territory Museum, Darwin.

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Tiki Ikat

James Bennett

Anne Richter, Arts and Crafts of Indonesia, special photography by John Storey, Thames and Hudson, 1993, $39.95

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BOOK REVIEWS

Alison Carroll

EDOUARDO GELLI, (from left) Prince Asdang Dejavudh, King Chulalongkorn, Crown Prince Maha Vajiravudh (King Vajiravudh), Queen Saovabha Phongsri, Prince Charkrabongse Bhuvanath, Pri

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Western-Style Painting and Sculpture in the Royal Thai Court

John Clark

Culture and Imperialism by Edward W. Said, Chatto & Windus, London, 1993.

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Contrapuntal Perspectives

Paul Carter

DO-HO SUH, Public Figures, 1998-2001 (detail), fibreglass, resin, steel pipes, pipe fittings, edn 1/3, 284 x 209.4 x 275 cm, installation at Korean Pavillion, 49th Venice Biennale

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Editorial

Dinah Dysart

KAMOL PHAOSAVASDI, River of the King: Water Pollution Project One, 1993, (installation) zinc boats, pieces of wood, rocks, rope, water plants.

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A moment in a Journey: The First Queensland Art Gallery Asia-Pacific Triennial of Contemporary Art

Julie Ewington

NGUYEN XUAN TIEP, The Family, 1991, oil on canvas, 85 x 110 cm.

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A Strange and Intimate Space

Nguyen Quan

HERI DONO, The Chair, 1993, (performance) seven dancers and three musicians with multi-media props.

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A Feast from the East in the South

Emmanuel Torres

JACQUELINE FRASER, Rosa Alba, 1993, mixed media wall sculpture, courtesy Sue Crockford Gallery.

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New Zealand Report: Floating in a Shallow Space

Wystan Curnow

Book Review: Images from a Denouement

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Book Review: Images from a Denouement

Robyn Maxwell

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The Imprisoned Heart: Ideaology in an Age of Consumption

Li Xianting

WANG HUAIQING, Ming Style, oil on canvas, 145 x 130 cm.

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The Spotted Leopard: Seeking Truth From History and Reality: Trends in the Development of Chinese Art

Xu Hong

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