The Editors

Interior view of replica Korean house and BYRON KIM, Not Even One Spot of Shame,2000, acrylic, watercolour on Korean paper on screen.

Issue

Korean American views: On exile, travel and unbelonging

Doryun Chong

TAKASHI HOMMA, Tokyo Suburbia, 1999, photographs, installation view.

Issue

Turning to the everyday: Land/mind/body-scapes in Tokyo

Edan Corkill

YORK DER KNOEFEL, Ajax 2000,1999, video installation, Akihabara TV project, command N.

Issue

In-between discourses: Alternative art spaces in Tokyo

Larissa Hjorth

MINEKO GRIMMER, Reflections, 1992, installation view, wood, pebbles, ice, courtesy Koplin Gallery, Los Angeles

Issue

Shifting Perceptions: Contemporary LA Visions

Collette Chattopadhyay

EMILY KAME KNGWARREYE, Atnwelarr - Yam Dreaming, 1995, synthetic polymer paint on linen, 90 x 151 cm, courtesy Gallery Australis. © Emily Kame Kngwarreye, 1995/Permission of VISCOP

Issue

A complex prism: Indigenous influences in Australian art

Ashley Carruthers

Issue

Text and subtext

Line Writing, 1994, six rows of red neon and Laotian script, 700 x 150 cm, collection Irish Museum of Modern Art, Dublin. © Stephen Friedman Gallery, London.

Issue

Vong Phaophanit

Claire Oboussier

JOSE LEGASPI, Greed, 1997, pastel on paper, 92 x 61 cm.

Issue

Eating their words : A Filipino Narrative

Ana P. Labrador

KATE BEYNON, Li Ji Warrior Girl, 2000 (details), animated video.

Issue

warrior girl: Kate Beynon’s tussle with language

Stuart Koop

SEONG CHUN, Untitled (Fully Equipped), 1998,text on crocheted paper, thread, 2.65 x 2.7 x 1.3 m.

Issue

Suspended in ambivaence: The installations of Seong Chun

Joan Kee

NAM JUNE PAIK in collaboration with NORMAN BALLARD, PAUL GARRIN, DAVID HARTNETT and STEPHEN VITIELLO, Modulation in Sync, 2000, laser projections installation, Guggenheim Museum, N

Issue

TV Buddha, video fish: The worlds of Nam June Paik

Jonathan Goodman

DENNIS ASCALON, For I am the Truth and the Only Way,1998, mixed media, 126 x 95 cm

Issue

Picnic in an art garden: The 2000 Kwangju Biennale

Robert J. Fouser

HAROLD JOSEPH THOMAS, Tribal Abduction, 2016, synthetic polymer paint on canvas, 134 x 214 cm. Courtesy Museum and Art Gallery of the Northern Territory, Darwin.

News

Harold Joseph Thomas Wins 2016 Telstra Art Award

Amelia Abramson

Installation view of RANA BEGUM's exhibition

Imported

The Space Between

Cleo Roberts

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