The Editors

ZHANG HUAN, My America, 1999, from the performance Hard to Acclimatize, Seattle Art Museum, Seattle, courtesy Deitch Projects, New York. Photograph Michael Dames.

Issue

Before and After

Mathieu Borysevicz

Calligraphy by Tsang Tsou Choi on a colonial-era postbox, Sau Mau Ping.

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Subaltern Writing: Tsang Tsou Choi: The King of Kowloon

David Clarke

WONG HOY CHEONG, Text Tiles, 2000, 290 tiles made from

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Valuing Asia: Wong Hoy Cheong’s quest for a postcolonial visual vocabulary

Sumit Mandal

QIU ZHIJIE, Tattoo 1, 1992, colour photographs, 50 x 38 cm.QIU ZHIJIE, Tattoo 2,1992, colour photographs, each 50 x 38 cm

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Sleight of Hand: The Use Of Text In Contemporary Chinese Art

Melissa Chiu

ED PIEN, Wound, 2000 (details), ink on paper installation, dimensions variable.

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Ed Pien

Jen Budney

BUNGA JERUK, Beauty Myth, 1999 (detail), carved and painted wooden sculptures, satin cushions, metal frames.

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AWAS!

D.J. Huppatz

ANIWAR MAMAT, Strumming My Tuttar, 1999, oil on canvas, 200 x 70 cm.

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Aniwar Mamat

Bruce Doar

ZUNZI WONG, I C Therefore I C, 2000, installation with slide projectors, video, plaster and bricks, dimensions variable.

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Critical response

Benjamin Genocchio

HELEN GEIER, Shadow Fans, 1999, block print, sewn kardi, paper, silk, organza, 150 x 100 cm.

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Helen Geier

Kanchan Chander

Portrait of Yoshitomo Nara. Photo by Minami Tsukamoto. Courtesy Blum & Poe, Los Angeles/Tokyo.

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Yoshitomo Nara

Collette Chattopadhyay

ZHANG HUAN, My America, 1999 (details), performance and video, courtesy Deitch Projects, New York. Photograph Claire Garoutte.

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Zhang Huan

Jonathan Goodman

TADASHI KAWAMATA, Passarelle, 2000, timber installation and sketch of installation, dimensions variable.

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Tadashi Kawamata

Stephen Horne

SHAHZIA SIKANDER, Elusive Realities, 2000, triptych, acrylic on canvas, each 305 x 203 cm.

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Shahzia Sikander

Jonathan Goodman

Interior view of replica Korean house and BYRON KIM, Not Even One Spot of Shame,2000, acrylic, watercolour on Korean paper on screen.

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Korean American views: On exile, travel and unbelonging

Doryun Chong

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