The Editors

JUN NGUYEN-HATSUSHIBA, Memorial Project Nha Trang, Vietnam Towards the Complex - For the Courageous, the Curious and the Cowards, 2001, thirteen minute DVD with sound, courtesy the

Issue

Japan: Jun Nguyen-Hatsushiba

Jane Farver

RIRKRIT TIRAVANIJA, Untitled (Crossing), 1998, performance and installation, National Gallery of Canada, Ottawa.

Issue

Thailand: Rirkrit Tiravanija

Gridthiya Gaweewong

APICHATPONG WEERASETHAKUL, Haunted House, 2001. film still

Issue

Thailand: Apichatpong Weerasethakul

Gridthiya Gaweewong

SURASI KUSOLWONG, Minimal Factory ($1 Market), 2002, everyday objects from Thailand, six velvet-covered plywood panels on cardboard boxes, three inkjet prints on plywood, packaging

Issue

Thailand: Surasi Kusolwong

Gridthiya Gaweewong

THERESA CHONG, Untitled, 2001, oil on linen, 152.5 x 203 cm, courtesy Danese, New York

Issue

Korea: Theresa Chong

Jonathan Goodman

QIU ZHIJIE, Invisibility, 2001, ink on paper, installation view, courtesy Ethan Cohen Fine Arts, New York

Issue

China: Qiu Zhijie

Jonathan Goodman

KIM SOOJA, A Mirror Woman, 2002, used Korean bedcovers, mirrors, Tibetan monk chant, cables, fans, dimensions variable, courtesy Peter Blum Gallery, New York

Issue

Korea: Kim Sooja

Jonathan Goodman

RAQS MEDIA COLLECTIVE, < 28°28

Issue

India: Raqs Media Collective

Ranjit Hoskote

SHANTANU LODH, 'I Slapped My Traditional Father', 2002, series of eleven black-and-white photographs, each 71 x 51 cm, courtesy the artist.

Issue

Shantanu Lodh

Ranjit Hoskote

JITISH KALLAT, Anger at the Speed of Fright, 2002, mixed media on canvas, 152.5 x 213 cm

Issue

India: Jitish Kallat

Ranjit Hoskote

TSUYOSHI OZAWA, Sodan Art Cafe, 1999-2000, Watari-um Museum of Contemporary Art, Tokyo

Issue

Japan: Tsuyoshi Ozawa

Hou Hanru

ZHANG PEILI, Document on Hygiene No. 3,1991, single-channel video work, 1 hour duration

Issue

China: Zhang Peili

Hou Hanru

SUZANN VICTOR, Dusted by Rich Manoeuvre, 2001, crystal, perspex, motor, antique chandeliers, light bulbs, pyrex glass, metal rods, red glass stain, 49th Venice Biennale. Collection

Issue

Singapore: Suzann Victor

Binghui Huangfu

LEUNG MEE PING, Memorise the Future, 1998-2002, installation (work in progress), 10,000 shoes made from human hair, dimensions variable.

Issue

Hong Kong: Leung Mee Ping

Binghui Huangfu

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