The Editors

ROBYN KAHUKIWA, Ko Te Hongi, Te Mihi, Mana Nui, 2000, oil on canvas, diptych, each 182 x 100 cm.

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Island Crossings

Karen Stevenson

Art and Cultural Politics in Postwar Taiwan

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Art and Cultural Politics in Postwar Taiwan

Britta Erickson

When Was Modernism

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When Was Modernism

Chaitanya Sambrani

MICHAEL MING-HONG LIN, Taipei Fine Arts Museum, 2000, mixed-media floor painting, dimensions variable.

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The Sky is the Limit

Rhana Devenport

RALPH HOTERE, Black Phoenix, 1984-88, burnt wood and metal, 5 x 12.9 x 5.65 m. Collection the Museum of New Zealand Te Papa Tongarewa, Wellington.

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Black Light: Ralph Hotere

Susan Ballard

MICHAEL TUFFERY, O le Vasa Lolto ma le Laloa (The Wide and Deep Ocean), 2000, performance, Sydney College of the Arts.

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Shrines and Statements

Diane Losche

NUTS SOCIETY, Untitled, 2000, vinyl adhesive, window installation, dimensions variable.

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USEby

Natalie King

YOKO ONO, Cut Piece, 1964, performance, Carnegie Hall, New York, courtesy the Japan Society, New York;

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The Answer is Yes

Jonathan Goodman

JAMES TURRELL, House of Light, 2000, various materials, 8.8 x 17.7 m.

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Art Necklace

Peter Naumann

CHIHARU SHIOTA, Breathing from Earth, 2000, wool and 70 beds, sleeping performance, 1000 sqm, Maximiliansforum, Munich.

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East-West in Berlin

Louise Garrett

N.S. HARSHA, Healing Space, 2000 (detail), watercolour, fluorescent light and gold leaf, dimensions variable.

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Drawing Space

Guy Mannes Abbott

Museum collection stacked in caretaker's cottage in Dili, January 2000.

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East Timor Museum

James Bennett

YU HONG, Generations, 1999, (detail), oil on canvas, 180x230cm, private collection

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At Home

Nicholas Jose

NALINi MALANI, Hamletmachine, 1999-2000 (details), video installation, 6 x 9 x 4 m.

Issue

A Doomsday Oracle

Johan Pijnappel

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