The Editors

ANANDJIT RAY, Re-visit Violence-3, 2003, watercolor and gouache on paper, 36 x 42 cm.

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Berlin: +64, Phone Home

Astrid Mania

Centres Georges Pompidou, Paris. Courtesy Thomas J. Berghuis.

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Paris: Alors la Chine?

Thomas J. Berghuis

TAKASHI MURAKAMI, Panda (detail), 2003. © 2003 Takashi Murakami.

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New York: Takashi Murakami

Midori Yoshimoto

ATTA KIM, Museum Project, 2003. Courtesy Japan Society, New York.

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New York: The Year of New Work: Contemporary Asian Photography

Merrily Kerr

MEL CHIN, Cabinet of Craving, 2012, white oak, antique English boneware (circa 1843), footed silver tray, steel, pigmented dye and shellac, 274.3 x 426.7 x 426.7 cm. Installation v

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New York: Mel Chin

Franklin Sirmans

IN-HYUNG KIM, Untitled H2, 2003. Acrylic Paint, pencil, water colored pencil on canvas, 38-51.25 inches.

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New York: In-Hyung Kim & Jian-Jun Zhang

Xenia Tetmajer von Przerwa

RULDOPH STINGEL, Untitled, 1994. Pigmented cast, polyurethane rubber, at 18.5 x 21.5 x 9 inches. Photo: D. James Dev, Courtesy Paula Cooper Gallery, New York.

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New York: Commodification of Buddhism

Midori Yoshimoto

ZHANG HONGTU, Kekou-Kele, 2002, Porcelain.

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New Jersey: Shuffling The Deck

Jonathan Goodman

ROBIN RHODES, He Got Game, 2000. Performance at Observatory, Cape Town, South Africa. Courtesy of the artist and the Walker Art Center, Minneapolis.

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Minneapolis: How Latitudes Become Forms: Art in a Global Age

Clara Kim

ARAKI NOBOYUSHI, Sentimental Journey, 1971.

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Houston: The History of Japanese Photography

Reena Jana

BOOK REVIEWS: On the Mid-Ground Hou Hanru: Selected Texts

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BOOK REVIEWS: On the Mid-Ground Hou Hanru: Selected Texts

Carolee Thea

IONA BROWN, a3 blackface, #58, 2003. Courtesy the artist.

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Between the Lines

Franklin Sirmans

Letter from the Publisher

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Letter from the Publisher

Gang Zhao

Minoru Mori, President & CEO, Mori Building Co., Ltd., Founder, Mori Art Museum, Yoshiko Mori, Chairperson, Mori Art Museum Board (Photo: Takashi Homma)

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Mori Art Museum

Laura Kateri Leung

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