The Editors

RUANGRUPA and ADITYA, Post-Realist, 2002, installation, Buddha sculpture, video, television, detergent, water, plexiglass, dimensions variable, courtesy RuangRupa.

Issue

Indonesia: Ruaung Rupa

Rifky Effendy

MIWA YANAGI, Elevator Girl House B3, 1997, C-print face-mounted on plexiglass, 180 x 450 cm. © the artist.

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Japan: Miwa Yanagi

Rifky Effendy

CHUNG SHUN-TA, Space Invasion III, 2000 (detail), installation, bread, dimensions variable.

Issue

A Different Reality

Sophie McIntyre

RISA SATO, Risa Campaign in California - Mother's Life, 1999, installation view, mixed-media installation, dimensions variable.

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First steps: Emerging artists from Japan

Gregory Galligan

TAKASHI MURAKAMI, Second Mission Project ko2, 2000, wall painting and fibreglass sculptures, courtesy Blum + Poe Gallery, California.

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New York Scene: Takashi Murakami, Wang Du and Mel Chin

Rachel Kent

LI YUAN-CHIA, Photograph, 1993, hand-coloured black-and-white print, 40 x 25 cm.

Issue

Li Yuan-chia

Katie Hill

ZHUANG HUI, Memorial Group Photo of the Residents of Gaozhuang Village, Jiuzhi Township, Daming County, Hebei Province on 13th August 1997, 1997 (detail), black-and-white photograp

Issue

From Inside the Body: Chinese New Photography and Video

Jonathan Goodman

YANAGI YUKINORI, Pacific - Shattered Blue (detail), 1997, pigment on muslin, silkscreen printed glass, plywood frame, 210 x 300 x 7 cm, collection Sanbishosha, Kuniaki and Katsuko

Issue

Excavating history: Yanagi Yukinori implodes Japan

Doryun Chong

HANH NGO, china, 1999 (detail), tapestry, cotton, dimensions variable.

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Cross-cultural Translations: Hanh Ngo and 'being Vietnamese’

Laura Murray Cree

HERI DONO, Flying Angels, 1996 (detail), fibreglass, old clock parts, electronic parts, cotton, 10 figures, each 100 x 60 x 25 cm, collection the artist.

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Breaking through twisted logic: Heri Dono’s Critical Eye

Jim Supangkat

PAUL PFEIFFER, Red Background #2, 2000, digital C-print, 28 x 43 cm.

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Processes of Erasure: Paul Pfeiffer's narratives of the global

Joan Kee

ANDY LELEISI'UAO, Letters of Different Feet, 2000, acrylic on wood panels, triptych, 120 x 90.3 cm.

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Samoan Art Histories

Sean Mallon

TARIQ ALVl, Somewhere Between (Exhibition and Studio), 1996 (detail), table, text, collage, pins, photocopies, magazine pages, photographs, dimensions variable.

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The Aesthetic Obsessions of Tariq Alvi

Robert Preece

Susan Dewar at the entrance to the Academy of Social Sciences, Beijing, 1998.

Issue

TRIBUTE: Susan Dewar (1944-2001)

Meg Maggio

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