The Editors

KOO JEONG-A, Cedric, 2003, washers, magnetic rods, chrome steel balls, Variable dimensions, exhibition: 'Your Tree My Answer' at Yvon Lambert, New York

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New York: Koo Jeong-a

Paul Laster

Kunié Sugiura, Dr. RK. Shah (from the Scientist Papers), 2003, Unique gelatin-silver print, 29 7/8

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NEW YORK: Kunié Sugiura

Lisa Varghese

JIAN JIE, BE, 2001, fiberglass reinforced plastic, 200 x 160 x 130 cm, Courtesy Toronto Sculpture Garden

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Toronto: Jian Jie

Deirdre Hanna

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Yun Bai

BASIM MAGDY, Two Days to Apocalypse, 2003, flash animation video. Courtesy the artist and Falaki Gallery at the American University, Cairo.

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Start ... Again

Franklin Sirmans

YAYOI KUSAMA, Fireless on the Water, 2002, mirror, plexiglass, 150 lights and water, 115

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ONE ON ONE: Franklin Sirmans on Shamim Momin

Franklin Sirmans

A poster for the controversial issue of focas: Focus on Contemporary Art 8 Society Courtesy of focas.

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NEWS: Fear of an Asian Guggenheim?

Christopher Y. Lew

WAYNE BARRAR, Target Mannequins and Noose, Weapons Training Building, Wendover Airbase, 2001, silver Gelatin print, 400 x 600 mm. Courtesy of the artist and McNamara Gallery.

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NEWS: Telecom Prospect 2004

Sophie Jerram

YUDHI SOERIOATMODIO in collaboration with LAYUNG BUWONO, OBLO PICASSO and GARDANALLA THEATRE GROUP, Mutlak Jujur (Strictly Honest), 2003, photography project.

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HOT SPOT: A Crucial Coming of Age

Farah Wardani

ANISH KAPOOR, Marsysas (detail), 2002, PVC and steel. Installed at the Tate Modern. Photo by Marcus Leith and Andrew Dunkley. Courtesy Barbara Gladstone Gallery, New York.

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Anish Kapoor: Between Poetry and Prose

Reena Jana

Orientalness Conference, courtesy of Gwangju Biennale Foundation.

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THE POINT: Orientalness: Rethinking Art Along the East-West Axis

Iris Moon

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Mark Bradford

Carolee Thea

Kim Chang-il, head of Arario Gallery, owns a large collection of British contemporary art. Photo courtesy Min Hee-chul.

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Kim Chang-il: Redefining the Korean Collector

Iris Moon

XU BING, Monkeys Grab for the Moon, 2002, wood, fiberglass, paint. Installation view at the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC. Photo courtesy of th

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THE BIG PICTURE: Beyond Iconography

Collette Chattopadhyay

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