The Editors

MICHAEL PAREKOWHAI, Poorman, Beggarman and Thief (Detail), 1994. Fiberglass mannequin with black tie, dinner suit and name tag. 178 x 49 x 39 cm. Collection of Saatchi & Saatchi

Issue

New York: Paradise Now?

Lilly Wei

TOMOKO SAWADA, from the OMIAI series, 2001. Courtesy of Sepia International.

Issue

New York: Identity

Paul Laster

TAKESHI TAMAI, Toe, 2003. Mixed media. Courtesy of Ms. Carol D. Westfall and ISE Cultural Foundation.

Issue

New York: 108 (One Hundred Eight)

Shinyoung Chung

NIKKI S. LEE, Part (28), 2003. Copyright Nikki S. Lee. Courtesy Leslie Tonkonow Artworks + Projects, New York

Issue

New York: Nikki S. Lee

Shinyoung Chung

MOMOYO TORIMITSU, Installation Detail, at Swiss Institute.

Issue

New York: Momoyo Torimitsu

Andrew Maerkle

BARI KUMAR, Half Truth, 1998. Oil on canvas. 68

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New York: Bari Kumar

Priya Malhotra

MAKOTO AIDA, The Giant Member Fuji versus King Gidora, 1993. 121

Issue

New Yorkk: Revolving Door: ISCP < >Asia

Robert C. Morgan

MARLENE YU, Undercurrent, 1998. 144

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Las Vegas: Marlene Yu

Robert C. Morgan

YOSHITOMO NARA, Daydreamer, 2003. 61

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Los Angeles: Yoshitomo Nara

Rae Anne Robinett

SIMRYN GILL, Standing Still, 2000-2003. C-print, series of 114 photographs. Courtesy of the artist and Barbara Flynn, Sydney and New York.

Issue

Berkeley: Simryn Gill/Matrix 210

Pauline J. Yao

JUN NGUYEN-HATSUSHIBA, Memorial Project Nha Trang, Vietnam:

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Vancouver: Home and Away

Eugenie Tsai

ROGER SHIMOMURA, Suburban Love, 1995. Acrylic on canvas 84

Issue

BOOK REVIEWS: The End of Rhetorical Identity?

Franklin Simrans

SHIZU SALDAMANDO, Calendar Girls #1, #2, #3 (2003)

Issue

Shizu Saldamando

Diana McClure

Issue

Borders of the Mind . . .

Franklin Sirmans

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