The Editors

UDOMSAK KRISANAMIS, Servants (Spit), 1994, collage and enamel on poly-cotton blend, 183 x 122 cm. Private collection.

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Udomsak Krisanamis

Kazuko Nakane

MARGARET SHIU TAN, Life is But a Game (So What's the Next Move)?, 1996, ceramics and mixed media, 400 x 400 x 50 cm. Photograph D, James Dee, 1996.

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Six interpretations of Clay: Handmade in Taiwan

Roberta Lord

HUNG LIU, White Rice Bowl, 1997, oil on canvas, 203 x 203 cm, courtesy Steinbaum Krauss Gallery, New York.

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Hung Liu

Jonathan Goodman

DAIDO MORIYAMA, Osaka, 1997, black-and-white photograph, 117 x 76 cm, courtesy Taka Ishii Gallery, Santa Monica.

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Daido Moriyama

Collette Chattopadhyay

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Why Asia?

Miwon Kwon

YUJI NAKADA and TOMOFUMI YOSHIDA, Sinktop Movie, 2004.

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Sinktop: Yuji Nakada + Tomofumi Yoshida

Tomoe Moriyama

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May the Old Serve the New!

Elaine W. Ng

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The Price of Everything, The Value of Nothing

Elaine W. Ng

The final panel session on Art Journalism at the

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Accentuating the Alternatives at the Second "In-between" Conference

Iris Moon

BARBARA EDELSTEIN and JIAN-JUN ZHANG, The Garden of Wishing Trees, 2004, proposal drawing and specification drawing for the Fifth Gwangju Biennale, Gwangju, Korea, September 2004.

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Breaking Hierarchies: Gwangju Biennale 2004

Amanda Eunha Lovell

A bunker to be utilized by artists for “18 Solo Exhibitions.” Courtesy of Cai Studio.

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"18 Solo Exhibitions" at Bunker Museum of Contemporary Art, Taiwan

Christopher Y. Lew

FENG MENGO, Still from AH_Q, 2003. Courtesy of AEC/Feng Mengbo.

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Ars Electronica Awards Feng Mengbo

Christopher Y. Lew

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Shanghai Biennale 2004

Christopher Y. Lew

nARCHITECTS, Canopy, 2004, installation at P.S. 1. Courtesy of nARCHITECTS.

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Canopy Over P.S. 1’s Warm Up

Christopher Y. Lew

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