The Editors

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THE POINT: A Manual for Revolutionary and Post-Revolutionary Times

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Accents and Hyphens: Reading Ping Chong’s Deshima

Lee Weng Choy

Museum of New Zealand Te Papa Tongarewa, Wellington.

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Museum of New Zealand Te Papa Tongarewa

Rachel Kent

HUANG YONGPING, The Pharmacy, 1995-97 (detail), mixed-media installation, approx. 595 x 278 cm, courtesy Jack Tilton Gallery, New York.

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Huang Yongping

Zhang Zhaohui

UDOMSAK KRISANAMIS, Servants (Spit), 1994, collage and enamel on poly-cotton blend, 183 x 122 cm. Private collection.

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Udomsak Krisanamis

Kazuko Nakane

MARGARET SHIU TAN, Life is But a Game (So What's the Next Move)?, 1996, ceramics and mixed media, 400 x 400 x 50 cm. Photograph D, James Dee, 1996.

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Six interpretations of Clay: Handmade in Taiwan

Roberta Lord

HUNG LIU, White Rice Bowl, 1997, oil on canvas, 203 x 203 cm, courtesy Steinbaum Krauss Gallery, New York.

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Hung Liu

Jonathan Goodman

DAIDO MORIYAMA, Osaka, 1997, black-and-white photograph, 117 x 76 cm, courtesy Taka Ishii Gallery, Santa Monica.

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Daido Moriyama

Collette Chattopadhyay

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Why Asia?

Miwon Kwon

YUJI NAKADA and TOMOFUMI YOSHIDA, Sinktop Movie, 2004.

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Sinktop: Yuji Nakada + Tomofumi Yoshida

Tomoe Moriyama

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May the Old Serve the New!

Elaine W. Ng

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The Price of Everything, The Value of Nothing

Elaine W. Ng

The final panel session on Art Journalism at the

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Accentuating the Alternatives at the Second "In-between" Conference

Iris Moon

BARBARA EDELSTEIN and JIAN-JUN ZHANG, The Garden of Wishing Trees, 2004, proposal drawing and specification drawing for the Fifth Gwangju Biennale, Gwangju, Korea, September 2004.

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Breaking Hierarchies: Gwangju Biennale 2004

Amanda Eunha Lovell

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