The Editors

MICHIRO TOKUSHIGE, Garden #3, 2004, pencil on paper, frame, table, Japanese dishes. Courtesy the artist and Yvon Lambert Gallery, New York.

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Nippon Time Recycled

Shinyoung Chung

CAI GUO-QIANG, Out of Desperate Misfortune Comes Bliss, Project for Japanese Former Defense Ministry Site, Tokyo, 2004, screen. © Cai Studio.

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Cai Guo-Qiang: Traveler

Adelina Vlas-Jones

MIAO XIAOCHUN, Lingering Under a Lone Pine, 2002, color print. 260 x 78 cm. Courtesy Walsh Gallery.

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Miao Xiaochun: PHANTASMAGORIA

Peggy Wang

FIONA TAN, Photograph from Correction (stills), 2004, digital photographs. Commissioned by the Museum of Contemporary Art, the New Museum of Contemporary Art and the Armand Hamm

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Fiona Tan

Larry Lee

SORA KIM, Cosmo Vitale, 2004. Reconstructed text, actors, costumes. Performance view at REDCAT. Photo by Steve Gunther.

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Cosmo Vitale: Gimhongsok & Sora Kim

Collette Chattopadhyay

A documentary by Travis Klose, 2004. Japanese and English (with Japanese and English subtitles). 75 mins. Color.

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The Imp of the Perverse

David Biello

Museum Project #015 from the

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Boxing Society

Carina Cha

MISAKI KAWAI, Detail of Himalaya Space Station, 2004, mixed media. Courtesy the artist.

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The Wow-Wee World of Misai Kawai

Kristin Poor

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A Toast

Elaine W. Ng

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Venice on my Mind

Simon Winchester

Oscar Ho, Director of the Museum of Contemporary Art, Shanghai.

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A MOCA for Shanghai

Don J. Cohn

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Cyprus Hosts Manifesta 6

Christopher Y. Lew

ANOTHERMOUNTAINMAN, building hong kong 10 zou ma kan hua, 2008, mixed media installation, size varied. Courtesy Sabrina Fung Fine Arts.

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Hong Kong's Venice Biennale Entry

Don J. Cohn

The Hyundai Development Company

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Libeskind Reinvents the Wheel

Stephanie Hsu

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