The Editors

AMBREEN BUTT, Untitled from the

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The Big Picture: Art As Social Commentary in Pakistan

Atteqa Ali

AMY CHAM, Horror, 2000, installation.All images courtesy the artist.

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Amy Cham: Inside Out

Christopher Y. Lew

Contemporary dance by Pichet Kluncheun. Part of the 1998

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Hot Spot: Bangkok's About Cafe

Varsha Nair

D-lab workshop in November 2004.All images courtesy Guangdong Museum of Art.

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One on One: Beyond The Delta

Bridget Goodbody

FIONA HALL, Fucus Vesiculosus - Bladder Wrack, from the

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Rosemary Liang and Fiona Hall: Remembering Forwards

George Alexander

Mailed From UK 3, 1973, mixed media. Courtesy the artist.

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Cheo Chai Hiang: The Time Is Out Of Joint

Ho Tzu Nyen

Svay Ken in his home and studio. Photo by Erin Gleeson.

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Svay Ken: Home And Country

Erin Gleeson

Queen's Club, 2004, Ink, watercolor and gouache on dyed silk, 112 x 70 cm.All images courtesy Grotto Fine Art

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Wilson Shieh: Perhaps, Perhaps, Perhaps

Bridget Goodbody

Ai WeiweiWang KepingHuang Rui

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Meditation On The Stars

Don J. Cohn

MYUNG-DUCK JOO, Mixed-Blood, 1965. Black-and-white photograph. Courtesy the artist.

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Seoul: The People in the Time 1945-2005: Sixty Years of Korean Photography

Shinyoung Chung

JACKSON HONG, Masked Citizen X, 2001. Mixed Media. Dimensions variable.

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Seoul: Jackson Hong

Iris Moon

YOKO ONO, Painting to Hammer a Nail, 1961. Mixed Media. Dimensions variable.

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Tokyo: Fluxus: Art Into Life

Fumihiko Sumitomo

XU BING, The Living Word, 2001. Paint, acrylic. Dimensions variable. Courtesy the artist.

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Tokyo: The Elegance of Silence

Kay Itoi

TSANG KIN WAH, detail of White Cube, 2005. Silkscreen on textile. Dimensions variable. Actual painting is white on white - reproduction shows black on white for clarity.

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Hong Kong: Tsang Kin Wah

Caroline Chiu

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