The Editors

RYOKO AOKI, Detail of Cross Sight Puzzle, 2003. Suite of 66 drawings. Mixed media Courtesy Kodama Gallery, Osaka/Tokyo.

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Ryoko Aoki

Shana Nys Drambot

GUO JIN, Front of Stage No. 7, 2005. Oil on canvas, 47.5

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Guo Jin

Carina Cha

Film still from Seven Swords. Courtesy Mandarin Films Distribution Co., Ltd.

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Tsui Hark is Terrified of Boredom

Ken Chen

Cover image (opposite): KURT BRERETON, Love at First Sight, 2005. Digitally enhanced photograph. Courtesy Kurt Brereton.

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The Occidental Tourist

George Alexander

LI SONGSONG, The Square, 2001, Oil on canvas, 180 x 320 cm. Courtesy Modern Chinese Art Foundation and Galerie Urs Meile, Switzerland.

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Li Songsong

Stephanie Hsu

Photographed by Park Nam-Kyu for ArtAsiaPacific.

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Bae Bien-U

Shinyoung Chung

All images from The Moving Drawing: The Line that Crosses America, Photo by Andrew Maerkle for ArtAsiaPacific and Fitz&Co. Courtesy the artist.

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Jheon Soocheon: On Board the Moving Train

Andrew Maerkle

Untitled (The Warrirors), 1998, vinyl on drumheads with junior drum kit, dimensions variable. Courtesy the artist; Sue Crockford Gallery, Auckland and Kaliman Gallery, Sydney. Phot

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Julian Dashper: At Odds

Mark Kirby

CHEN CHIEH-JEN, Lingchi: echoes of a historical photograph, 2002. Single-channel video projection installation at Artspace, Auckland. Dimensions variable. Courtesy Artspace.

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Auckland: Slow Rushes for Auckland

John Di Stefano

LEE BUL, Mon grand récit: because everything…, 2005, wood, paint, glass crystals and synthetic beads, aluminium, foam, polystyrene, fiberglass, epoxy resin, lights. 2300 x 2500 x 5

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New Plymouth: Lee Bul

Rhana Devenport

KUTLUG ATAMAN, Küba, 2005, installation for the Museum of Contemporary Art, Sydney. Photo by Ben Simons. Courtesy the MCA, Sydney.

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Sydney: Kutlug Ataman

Adam Geczy

TRACEY MOFFAT, Something More #3, 1989, cibachrome, series of 9 images 98 x 127 cm. Courtesy the artist, Roslyn Oxley9 Gallery, Sydney and Albury Regional Gallery.

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Victoria: Tracey Moffatt

George Alexander

WANG QINGSONG, Follow Me!, 2003. C-print. 120 x 300 cm. Courtesy the artist and Courtyard Gallery, Beijing.

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Tokyo: Follow Me!

Kai Ozawa

MOTOHIKO ODANI, Whole Lotta Love, 2005. Laser print, set of 3. 226 x 184.4 cm each. Photo by Suntory Museum, Osaka. Courtesy Sotsu Agency/sunrise.

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Osaka: Gundam: Generating Futures

Kenichi Kondo

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