The Editors

NARAHARA IKKO, Two Garbage Cans, Amerindian Village, 1972. Silver bromide paper, 40.5 x 50.5 cm.

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Hyper Reality: Contemporary Images from the Museum Collection

David Frazier

LI WEI, Mirror, Venezia, 2005. C-print photograph. 176 x 212 cm. Courtesy 10 Chancery Lane Gallery.

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Li Wei: A Pause for Humanity

Caroline Chiu

KONSTANTIN BESSMERTNY at his studio in Macau.

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Konstantin Bessmertny

Caroline Chiu

WANG WEI, Listen, 2006. Frosted glass, person, spotlights. Courtesy Marella Gallery, Beijing.

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Fancy Dream

Carol Lu

MICHAEL SHAOWANASAI, Di (Good), 2006. Acrylic on canvas.

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Michael Shaowanasai: Good: New Paintings 2549

David Teh

ANISH KAPOOR, My Red Homeland, 2003. 25 tons red-colored Vaseline, hydraulic motor, steel block. 12 meters diameter. Courtesy the artist, Lisson Gallery, London, and Barbara Gladst

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Anish Kapoor: My Red Homeland

Sara Raza

TIM LEE, It Takes A Nation Of Millions To Hold Us Back, Public Enemy, 1988. 2006. C-print. 152.5 x 198 cm.Courtesy the artist and Lisson Gallery.

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Tim Lee

Sally Lai

BILL HENSON, Untitled, 2005-06. Type

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Bill Henson

Andrew Maerkle

RANJANI SHETTAR, Detail of I am no one to tell you what not to do, 2006. Five-color woodcut print. 95 x 39 inches. Courtesy ARTPACE, San Antonio, and Talwar Gallery, New York.

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Ranjani Shettar

Courtney J. Martin

MICHAEL ARCEGA, Detail of Conquistadorkes, 2005. Manila folders, glue, and acrylic hardware. Each 72 x 18 x 24 inches.Photo by Steve Zavattero.

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Michael Arcega

Carina Cha

Film Review: Lady Vengeance

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Film Review: Lady Vengeance

Andrew Maerkle

Palestinian Art.

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Book Review: Palestinian Art

Jessica Kraft

Ujino Muneteru in his studio.

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Ujino Muneteru

Andrew Maerkle

GEISAI #9, Gold Medalist Soichi Yamaguchi. Photo by Kanako Aida.

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Takashi Murakami's Lowbrow Launchpad

Kenichi Kondo

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