The Editors

MONA HATOUM, Light Sentence, 1992, galvanized wire mesh lockers, electric motor and light bulb, 198 x 185 x 490 cm. Copyright the artist. Photo by Philippe Migeat. Courtesy Centre

Issue

London: Mona Hatoum

Sacha Waldron

ZHANG PEILI, Continuous Reproduction , 1993, gelatin silver prints, set of 25: 28.6 x 24.1 cm each. Courtesy Asia Society, New York.

Issue

New York: Zhang Peili

Diana Seo Hyung Lee

CHUNG SEOYOUNG, Ghost Will Be Better, 2000–05, linoleum, paint, and wood, 400 x 180 x 50 cm. Photo by Jeremy Haik. Courtesy Tina Kim Gallery, New York.

Issue

New York: Two Hours

Robert Liles

Installation view of LEE KIT’s exhibition “Hold Your Breath, Dance Slowly,” at Walker Art Center, Minneapolis, 2016. Courtesy Walker Art Center.

Issue

Minneapolis: Lee Kit

Risa Puleo

MIKA TAJIMA, Epimelesthai Sautou (Take Care), 1, 2014, thermoformed acrylic, spray enamel and aluminum, 198 x 198 x 81 cm. Photo by Robert Wedemeyer. Courtesy the artist and Kayne

Issue

Los Angeles: Mika Tajima & Jean-Pascal Flavien

Jennifer S. Li

TAIPING TIANGUO: A HISTORY OF POSIBLE ENCOUNTERS, edited by Doryun Chong and Cosmin Costinas. Published by Para Site, Hong Kong, and Sternberg Press, Berlin, 2015. Softcover with c

Issue

BOOK REVIEWS: Familiar Meetings, Strange Lands

Sylvia Tsai

Trevor Yeung in his small but lively Fo Tan studio in Hong Kong, which he has rented since early 2015.

Issue

Trevor Yeung

Ysabelle Cheung

Issue

The Sketch: Lala Rukh

The Editors

View of Kuala Lumpur, Malaysia, with the Petronas Twin Towers in the distance. Photo by Zukiman Mohamad.

Imported

Kuala Lumpur

Valentine Willie

Illustration by Lisk Feng.

Imported

Art-Making in a Troubled World

Wong Wai Yin

ADITYA PANDE, Half-Life Form III (detail), 2012, mixed media on archival paper, 152 x 114 cm. Courtesy the artist and Aicon Gallery, New York.

Imported

Constructed Chaos

Gemma Sharpe

UNTITLED (detail), 2015, oil on canvas, 36 x 46 cm. Courtesy Galerie Lelong, Paris/New York. Unless otherwise stated, all images courtesy the artist and Sfeir-Semler Gallery Beirut

Imported

Every One of Us is a Radio Transmitter

Daniel Kurjaković

SIMRYN GILL, Vegetation, 2016, Black-and-white llfochrome print, 40 x 400 cm each. Courtesy Utopia Art Sydney.

Imported

Soil and Stones, Souls and Songs

Dominic Zinampan

MONA HATOUM, Light Sentence, 1992, Galvanized wire mesh lockers, electric motor and light bulb, 198 x 185 x 490 cm. Copyright the artist. Photo by Philippe Migeat. Courtesy Centre

Imported

Mona Hatoum

Sacha Waldron

See all