The Editors

Installation view of

Imported

Why the performance?

Andrew Stooke

KOO JEONG A, Civilising Process, 2005, pen drawing on A4 paper, 84.1 x 118.9 cm. Courtesy the artist.

Imported

Riptide

Piers Masterson

OLIVIA CHOW, Thanksgiving in Tin Wan, 2016, performative work at Mur Nomade, Hong Kong. Courtesy Mur Nomade.

Ideas

Thanksgiving in Tin Wan: A Performance by Olivia Chow

Henrietta Wilson

Ideas

Fair Game, Shanghai

Ysabelle Cheung

LEE BUL, installation view of Diluvium (2012/2016) and Majestic Splendor (2016) for the exhibition “Connect 1: Still Acts

Imported

Connect 1: Still Acts

HG Masters

Maud Page, the new Deputy Director and Director of Collections at the Art Gallery of New South Wales, Sydney. Courtesy AGNSW.

News

Maud Page Leaves QAGOMA For Art Gallery of New South Wales

The Editors

*GU WENDA* performing his work Verdant Mountains, Emerald Waters (2016) at the Shenzhen Convention and Exhibition Center. Courtesy Gu Wenda Studio.

Ideas

A Story of Qinglu Shanshui by Gu Wenda

Cristina Sanchez-Kozyreva

Aaron Seeto, Museum of Modern and Contemporary Art in Nusantara’s (MACAN) newly appointed director. Courtesy Museum MACAN.

News

Aaron Seeto Appointed Director of Museum MACAN

The Editors

Installation view of “Where Can the Dust Alight” at Pace Hong Kong, 2016. Courtesy Pace Hong Kong.

Imported

Where Can The Dust Alight

Katherine Volk

*TREVOR YEUNG*, _The Cave_, 2016, table cloth, wood, cocktail tables, ceiling fans and LED lights, dimensions variable. Courtesy the artist and Blindspot Gallery, Hong Kong.

Shows

Trevor Yeung’s “The Sunset of Last Summer”

Combining themes of love, loss and unfettered reminiscence. Sophia Jones-Williams

DANH VŌ, 2.2.1861, 2009, ink on A4 paper, 29.6 x 21 cm. Copyright the artist. Courtesy White Cube, Hong Kong.

Imported

Danh Vō

Katherine Volk

Members of the Erbakan Foundation outside the Istanbul Convention and Exhibition Center before they raided Contemporary Istanbul art fair on the evening November 3 to object to t

News

Contemporary Istanbul Art Fair Raided By Islamist Group

HG Masters

KIM YONG-IK, To Ilmin Museum of Art 2016, 2016, acrylic on canvas, acrylic on paper and pencil, dimensions variable. Courtesy Ilmin Museum of Art, Seoul.

Imported

Closer . . . Come Closer . . .

HG Masters

A visitor stands before _Western Bird_ (1995–96) by *DIA AL-AZZAWI*. All photos by Brady Ng for ArtAsiaPacific.

Ideas

Qatar: Three Locations, Two Artists, One Capital

Brady Ng

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