The Editors

Maud Page, the new Deputy Director and Director of Collections at the Art Gallery of New South Wales, Sydney. Courtesy AGNSW.

News

Maud Page Leaves QAGOMA For Art Gallery of New South Wales

The Editors

*GU WENDA* performing his work Verdant Mountains, Emerald Waters (2016) at the Shenzhen Convention and Exhibition Center. Courtesy Gu Wenda Studio.

Ideas

A Story of Qinglu Shanshui by Gu Wenda

Cristina Sanchez-Kozyreva

Aaron Seeto, Museum of Modern and Contemporary Art in Nusantara’s (MACAN) newly appointed director. Courtesy Museum MACAN.

News

Aaron Seeto Appointed Director of Museum MACAN

The Editors

Installation view of “Where Can the Dust Alight” at Pace Hong Kong, 2016. Courtesy Pace Hong Kong.

Imported

Where Can The Dust Alight

Katherine Volk

*TREVOR YEUNG*, _The Cave_, 2016, table cloth, wood, cocktail tables, ceiling fans and LED lights, dimensions variable. Courtesy the artist and Blindspot Gallery, Hong Kong.

Shows

Trevor Yeung’s “The Sunset of Last Summer”

Combining themes of love, loss and unfettered reminiscence. Sophia Jones-Williams

DANH VŌ, 2.2.1861, 2009, ink on A4 paper, 29.6 x 21 cm. Copyright the artist. Courtesy White Cube, Hong Kong.

Imported

Danh Vō

Katherine Volk

Members of the Erbakan Foundation outside the Istanbul Convention and Exhibition Center before they raided Contemporary Istanbul art fair on the evening November 3 to object to t

News

Contemporary Istanbul Art Fair Raided By Islamist Group

HG Masters

KIM YONG-IK, To Ilmin Museum of Art 2016, 2016, acrylic on canvas, acrylic on paper and pencil, dimensions variable. Courtesy Ilmin Museum of Art, Seoul.

Imported

Closer . . . Come Closer . . .

HG Masters

A visitor stands before _Western Bird_ (1995–96) by *DIA AL-AZZAWI*. All photos by Brady Ng for ArtAsiaPacific.

Ideas

Qatar: Three Locations, Two Artists, One Capital

Brady Ng

LUKE CHING, 239 Queen's Road East, Wanchai II (negative), 2005, archival print, 254 x 121.9 cm. Courtesy the artist and Gallery Exit, Hong Kong.

Imported

For now we see through a window, dimly

Henrietta Wilson

Anish Kapoor at his show at Kukje Gallery

Issue

SOCIAL

The Editors

TEPPEI KANEUJI, Games, Dance and the Constructions (Singapore) #10-C, 2013, screen print, archival ink jet print, plexiglas and cotton rag paper, 94.5 × 94.5 × 4.5 cm. Courtesy Ros

Issue

Vivid Conditions

Elaine W. Ng

PRANEET SOI, “…the axis of geography as against the axis of history . . .”, 2016. A portrait of Jean-Pierre Gorin. Pencil on paper, 29 x 21 cm. Courtesy the artist.

Issue

ONE ON ONE: Praneet Soi on Jean-Pierre Gorin

PRANEET SOI

View of Kuala Lumpur, Malaysia, with the Petronas Twin Towers in the distance. Photo by Zukiman Mohamad.

Issue

DISPATCH: Kuala Lumpur

Valentine Willie

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