The Editors - ArtAsiaPacific (Page 415)

*LIN AOJIE*, _Starbucks Left_, 2015, stills from single-channel video: 3 min 37 sec. Courtesy the artist and A+ Contemporary, Shanghai.

Shows

Lin Aojie’s “If You Throw Enough Mud at the Wall, None of It Will Stick”

Lin expresses in several of the works: annoyance with the disjuncture between art and capitalism, annoyance with an artist’s social responsibilities, even frustration with his own ambition. Andrew Stooke

Exterior view of The Hub, the main venue of the Honolulu Biennial. All photos by Nathalie Johnston for ArtAsiaPacific.

Ideas

Highlights from the Inaugural Honolulu Biennial

Nathalie Johnston

Installation view of *JIANG PENGYI*'s exhibition

Shows

Jiang Pengyi’s “Away From Disgrace”

The artist confronts the tendency to turn away from disgrace. Ysabelle Cheung

Issue

In from the Cold

Elaine W. Ng

Issue

DISPATCH: Amman

Ala Younis

Issue

THE POINT: Marrying Culture and Commerce in Arts Patronage

Manu Park

Interior view of Institute for Provocation (IFP) in Beijing. Courtesy IFP.

Issue

In Close Quarters

Thomas Mouna

Opening of the exhibition “Symbiosis” in Almaty’s Botanical Garden, as part of Artbat Fest 7, “City in Motion,” 2016. Photo by Theo Frost and Anna Assonova. Courtesy Eurasian Cultu

Issue

Art in a Post-Oil World

Lesley Ann Gray

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Li Jin

Olivia Wang

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Rashad Becker

Brady Ng

Installation view of the exhibition “How to Become Us,” at Art Space Pool, Seoul, 2011.

Issue

Lee Wan: Transformative Assemblages

Yujin Min

LANDSCHAFT (ROUEN CATHEDRAL, (SIDE GARDEN) (SLIGHTLY DIFFERENT POSITION), AUGUST 22, 3:15 p.m.–4:15 p.m.), watercolor, color pencil, pencil, ink, stamp on paper, 18.6 x 27.5 cm. Co

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Samson Young: Chasing Frontiers

Ysabelle Cheung

(Left) QUITATE LA ROPA Y CALLATE, 2015, acrylic on digital print, 74 x 94 cm; (right) DAME TU DINERO, 2015, acrylic on digital print, 74 x 94 cm. Installation view for Manuel Ocamp

Issue

Manuel Ocampo: The Devil You Know

Dominic Zinampan

NOUS NE NOTONS PAS LES FLEURS, FORT RUIGENHOEK, 2011, view of participatory performance with installation of growing flowers, 24-hour, security camera and monitors. Courtesy the ar

Issue

Tintin Wulia: Not Alone

Eva McGovern-Basa