The Editors

KAMIN LERTCHAIPRASERT, No Past, No Present, No Future, 2015, Mixed media, dimension variable. Courtesy MAIIAM Contemporary Art Museum, Chiang Mai.

Issue

Chiang Mai: Kamin Lertchaiprasert

Rathsaran Sireekan

JITISH KALLAT, Epilogue, 2011, Pigment print on archival paper, 753 prints: 31.7 x 39.4 cm each. Courtesy Nature Morte, New Delhi.

Issue

New Delhi: Jitish Kallat

Anushka Rajendran

MARIANA CASTILLO DEBALL, Hypothesis of a Tree, 2016, Bamboo structure, rubbings on Japanese paper and sumi ink, dimensions variable.Courtesy Sharjah Art Foundation.

Issue

Sharjah: Sharjah Biennial 13

HG Masters

SOPHIA AL-MARIA, Installation view of the exhibition “Everything Must Go” at The Third Line, Dubai, 2017. Courtesy the artist and The Third Line.

Issue

Dubai: Sophia al-Maria

Lesley Ann Gray

HH LIM, The Cage the Bench and the Luggage, 2011, Galvanized steel and aluminum suitcase with padlocks and chain, 484 x 216 x 228 cm.Courtesy the artist and MAXXI – National Museum

Issue

Rome: Please Come Back. The World as Prison?

Alessandra Alliata Nobili

IRI AND TOSHI MARUKI, Water (Panel III) , 1950–82, From “Hiroshima Panels” (series of 15 panels)India ink and Japanese paper, 180 x 720 cm.Courtesy Maruki Gallery For The Hiroshima

Issue

Munich: Postwar: Art between the Pacific and the Atlantic, 1945-1965

Inti Guerrero

MEHDI GHADYANLOO, Metamorphosis Lighting, 2015, Acrylic on canvas, 150 x 300 cm. Courtesy the artist and Howard Griffin Gallery, London.

Issue

London: Mehdi Ghadyanloo

Ned Carter Miles

AGUS SUWAGE, Kama Sutra II, 2016, Papier-mâché, gouache, watercolor and tobacco juice, 223 x 242 x 7 cm. Courtesy the artist and Tyler Rollins Fine Art, New York.

Issue

New York: Agus Suwage

Astri Wright

KHOSROW HASSANZADEH, Terrorist: Khosrow, 2004, Acrylic and silkscreen ink on canvas, 250 x 205 cm.Copyright the artist. Courtesy Mohammed Afkhami Foundation.

Issue

Toronto: Rebel, Jester, Mystic, Poet: Contemporary Persians

Joobin Bekhrad

(Left) REN HANG, Edited by Dian Hanson, Published by Taschen, Cologne, 2016. Softcover with color illustrations, 311 pages.(Right) RED FLOWER: THE WOMEN OF OKINAWA, By Mao Ishikawa

Issue

BOOK REVIEWS: Stripped Bare

Don J. Cohn

Sahand Hesamiyan in his studio located in Khorramdasht Industrial Zone, Iran.

Issue

Sahand Hesamiyan

Kevin Jones

Zhao Tao

Issue

Zhao Tao

The Editors

Issue 103

Magazine

Issue 103

May/Jun 2017

Image of the gravesite of FRIEDRICH NIETZSCHE in Röcken, Germany. Courtesy James T. Hong.

Issue

ONE ON ONE: James T. Hong on Friedrich Nietzsche

James T. Hong

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