The Editors

View of Bangkok at night. Photo by Benh Lieu Song.

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DISPATCH: Bangkok

Gregory Galligan

Illustration by Chloe Bennett.

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THE POINT: Narrating Syria Through Family-Run Arts Patronage

Shireen Atassi

HO FAN, Sun Rays, 1959. Courtesy Blue Lotus Gallery, Hong Kong.

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Culture of Reappearance

Antony Dapiran

Portrait of IAN HOLLIDAY at his office in Hong Kong. Photo by Jessica Keung for ArtAsiaPacific.

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Ian Holliday

Elaine W. Ng

Portrait of Ross Manning. Photo by Carl Warner. Courtesy Milani Gallery, Sydney.

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Ross Manning

Ellie Buttrose

Portrait of Cian Dayrit. Photo by Veronica Lazo. Courtesy the artist.

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Cian Dayrit

Dominic Zinampan

NO. 680, 2016, set of 50 paintings, acrylic paint on MDF, 80 x 25 x 4 cm each. Photo by Philip White. Unless stated otherwise, all images courtesy the artist and The Third Line, Du

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Rana Begum: Simply Put

Ned Carter Miles

DEADEND STREET, 1978, photo emulsion and acrylic on canvas and wood, 94 x 290 cm.Copyright Kunié Sugiura. Courtesy Leslie Tonkonow Artworks + Projects, New York.

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Kunié Sugiura: Becoming Image

HG Masters

Still from BLUE AND RED, 2014, single-channel HD video with color and sound: 25 min 14 sec. Produced by Han Nefkens Foundation-BACC Award for Contemporary Art. Unless otherwise sta

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Zhao Tao: Beyond Geography Lies the Truth

Yung Ma

KRIS MARTIN, Plate with Milk, 2005, mixed media, 2.5 x 16.5 cm in diameter. Photo by Achim Kukulies. Courtesy the artist and Sies + Höke, Düsseldorf.

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INSIDE BURGER COLLECTION: A Plate with Milk

Isa Cossement

OLAFUR ELIASSON, Green Light – An Artistic Workshop, 2017.Photo by Francesco Galli. Courtesy La Biennale di Venezia, Venice.

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Venice: 57th Venice Biennale

HG Masters

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Sydney: Familiar Stranger

Chloé Wolfson

BLACK GUM 1, from the “Australian Graffiti” series, 2007, Lambda print, 100 x 100 cm.Courtesy the artist; Sarah Scout Presents, Melbourne; and Michael Reid, Sydney and Berlin.

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Melbourne: Christian Thompson

Sarah Werkmeister

CHEN CHENCHEN, The Mercy of Not Killing, 2017, site-specific installation, mixed media, dimensions variable.Courtesy the artist and Ullens Center for Contemporary Art, Beijing.

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Beijing: The New Normal

Thomas Mouna

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