The Editors

Interior view of Institute for Provocation (IFP) in Beijing. Courtesy IFP.

Issue

In Close Quarters

Thomas Mouna

Opening of the exhibition “Symbiosis” in Almaty’s Botanical Garden, as part of Artbat Fest 7, “City in Motion,” 2016. Photo by Theo Frost and Anna Assonova. Courtesy Eurasian Cultu

Issue

Art in a Post-Oil World

Lesley Ann Gray

Portrait of Li Jin. Photo by Guo Pengfei. Courtesy Ink Studio, Beijing.

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Li Jin

Olivia Wang

Portrait of Rashad Becker. Photo by Camille Blake. Courtesy the artist.

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Rashad Becker

Brady Ng

Installation view of the exhibition “How to Become Us,” at Art Space Pool, Seoul, 2011.

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Lee Wan: Transformative Assemblages

Yujin Min

LANDSCHAFT (ROUEN CATHEDRAL, (SIDE GARDEN) (SLIGHTLY DIFFERENT POSITION), AUGUST 22, 3:15 p.m.–4:15 p.m.), watercolor, color pencil, pencil, ink, stamp on paper, 18.6 x 27.5 cm. Co

Issue

Samson Young: Chasing Frontiers

Ysabelle Cheung

(Left) QUITATE LA ROPA Y CALLATE, 2015, acrylic on digital print, 74 x 94 cm; (right) DAME TU DINERO, 2015, acrylic on digital print, 74 x 94 cm. Installation view for Manuel Ocamp

Issue

Manuel Ocampo: The Devil You Know

Dominic Zinampan

NOUS NE NOTONS PAS LES FLEURS, FORT RUIGENHOEK, 2011, view of participatory performance with installation of growing flowers, 24-hour, security camera and monitors. Courtesy the ar

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Tintin Wulia: Not Alone

Eva McGovern-Basa

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INSIDE BURGER COLLECTION: The Voices of Things1

Nicolas de Oliveira and Nicola Oxley

MARQUES HANALEI MARZAN, ‘A‘ahu Kino Lau, 2017, Textile, cordage and foliage, dimensions variable.Courtesy the artist and Honolulu Biennial Foundation.

Issue

Honolulu Biennial

Henry Wei Leung

Installation view of real and reproduced protest posters from The Umbrella Movement Visual Archive (2014) for the exhibition

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Sydney: Before the Rain

Chloé Wolfson

EI ARAKAWA, Installation view of “Tryst” at Taka Ishii Gallery, Tokyo, 2017. Photo by Kenji Takahashi. Courtesy Taka Ishii Gallery.

Issue

Tokyo: Ei Arakawa

Stuart Munro

SONG DONG, Mirror Hall, 2016–17, Mirrors, old wooden window frames and mirror boards, dimensions variable. Installation view of the exhibition“I Don’t Know the Mandate of Heaven” a

Issue

Shanghai: Song Dong

Benny Shaffer

SIAH ARMAJANI, Bridge Over a Tree, 1970, Mixed media, 20.6 x 86.4 x 24.8 cm. Courtesy the artist and Rossi & Rossi, Hong Kong/London.

Issue

Hong Kong: Siah Armajani

Brady Ng

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