The Editors

OLAFUR ELIASSON, Green Light – An Artistic Workshop, 2017.Photo by Francesco Galli. Courtesy La Biennale di Venezia, Venice.

Issue

Venice: 57th Venice Biennale

HG Masters

Issue

Sydney: Familiar Stranger

Chloé Wolfson

BLACK GUM 1, from the “Australian Graffiti” series, 2007, Lambda print, 100 x 100 cm.Courtesy the artist; Sarah Scout Presents, Melbourne; and Michael Reid, Sydney and Berlin.

Issue

Melbourne: Christian Thompson

Sarah Werkmeister

CHEN CHENCHEN, The Mercy of Not Killing, 2017, site-specific installation, mixed media, dimensions variable.Courtesy the artist and Ullens Center for Contemporary Art, Beijing.

Issue

Beijing: The New Normal

Thomas Mouna

Installation view of “I Am What I Am: Performing Cantopop” section, “Ambiguously Yours: Gender in Hong Kong Popular Culture” at M+ Pavilion, Hong Kong, 2017. Courtesy M+, Hong Kon

Issue

Hong Kong: Ambiguously Yours

Arthur Tam

AHMAD MOUALLA, People and Power (detail), 2011, oil on canvas, 300 x 1200 cm. Courtesy Atassi Foundation, Dubai.

Issue

Dubai: Syria: Into The Light

Brady Ng

Installation view of “But We Cannot See Them: Tracing a UAE Art Community, 1988–2008” with work by VIVEK VILASINI in the foreground, at New York University Abu Dhabi Art Gallery, A

Issue

Abu Dhabi: But We Cannot See Them: Tracing A UAE Art Community, 1988–2008

Lesley Ann Gray

RASHEED ARAEEN, Shamiyaana–Food for Thought: Thought for Change, 2016–17, canopies with geometric patchwork, cooking and eating, dimensions variable.Photo by Yiannis Hadjiaslanis.

Issue

Athens: Documenta 14

Nooshfar Afnan

JAMES T. HONG, A Chinaman’s Chance (Dokdo and Senkaku), 2014, film still of video: 12 min 50 sec.Courtesy the artist and Haus der Kulturen der Welt, Berlin.

Issue

Berlin: 2 Or 3 Tigers

Clara Tang

LIU XIAODONG, Steel 5, 2016, oil on canvas, 50 × 100 cm. Photo by Gu Xiaobo.Courtesy Massimo De Carlo, Milan, London and Hong Kong.

Issue

Milan: Liu Xiaodong

Alessandra Alliata Nobili

AKRAM ZATAARI, Against Photography, 2017, 12 routed aluminum plates, four sets of intaglio and chine-collé prints, 24 x 30 cm each. Courtesy the artist and MACBA.

Issue

Barcelona: Akram Zaatari

Rebecca Close

LAWRENCE ABU HAMDAN, installation view of the eponymous exhibition at Maureen Paley, London, 2017. Courtesy Maureen Paley.

Issue

London: Lawerence Abu Hamdan

Ned Carter Miles

IAN CHENG, Emissary Forks at Perfection, 2015–16, live simulation and story, infinite duration. Courtesy MoMA PS1, New York.

Issue

New York: Ian Cheung

Mimi Wong

Installation view of the Whitney Biennial 2017 and POPE.L’s (aka William Pope.L) Claim (Whitney Version) (2017) at the Whitney Museum of American Art, New York, 2017. Photo by Bill

Issue

New York: Whitney Biennial 2017

Mostafa Heddaya

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