The Editors

News

Finalists of 2017 Hugo Boss Asia Art Award Announced

Jia Dong

Installation view of THE PROPELLER GROUP’s “New Pictures: The Propeller Group, Reincarnations” at the Minneapolis Institute of Art, Minneapolis, 2017. Photo by Ana Taylor. Courtesy

Imported

New Pictures: The Propeller Group, Reincarnations

Sheila Regan

Installation view of XIAO-YANG LI’s “Totem Index” at Narrative Projects, London, 2017. Courtesy the artist and Narrative Projects.

Imported

Totem Index

Ned Carter Miles

ARIC CHEN is the winner of the inaugural Design Prize award for Design Curator and Design Critic. Courtesy West Kowloon Cultural District.

News

M+ Curator Aric Chen Wins Design Prize

Je-Seung Lee

Portrait of SOPHAL NEAK. Courtesy the artist.

Ideas

Photographing the Soul of Cambodia: Interview with Sophal Neak

Francesca Masoero

Installation view of “Considerate Creations: Chameleons Part II” at Gallery 456, New York, 2017. Photo by Huang Kuo-Heng. Courtesy the artist and Taipei Artist Village.

Shows

“Considerate Creations: Chameleons, Part II”

The role of a mother is just one of many that female artists inevitably inhabit. Mimi Wong

WONG CHUNG-YU, ReBond, 2014, real-time random animation. Courtesy the artist and Hanart TZ Gallery, Hong Kong.

Imported

Centrifugal Force: The Art Field of Wong Chung-yu

Jia Dong

Issue 104

Magazine

Issue 104

Jul/Aug 2017

1997 Hong Kong calendar, © Pop Products, Taiwan.

Issue

Hong Kong: The view from abroad

Hou Hanru

KIM BEOM, _Paper Wrapped (Dishwashing Soaps)_, 2016, objects wrapped with pigmented paper pulp on wooden base, 27.4 x 31 x 53.4 cm.Courtesy the artist and STPI, Singapore.

Issue

Singapore: Kim Beom

Marybeth Stock

Installation view of ANTHONY CARO’s Lock (1962) at Barford Sculptures, London, 2017. Courtesy Barford Sculptures Ltd. and the artist. Photo by John Hammond.

Imported

Rasheed Araeen on Anthony Caro

Rasheed Araeen

Illustration by Chloe Bennett.

Imported

Narrating Syria Through Family-Run Arts Patronage

Shireen Atassi

Imported

Through Burmese Eyes

Elaine W. Ng

NO. 680, 2016, set of 50 paintings, acrylic paint on MDF, 80 x 25 x 4 cm each. Photo by Philip White.
Unless stated otherwise, all images courtesy the artist and The Third Line, Du

Imported

Simply Put

Ned Carter Miles

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