The Editors

TOYO TSUCHIYA, Japanese-born artist and photographer, passed away on November 23, 2017, at the age of 69 in New York. Image via the artist's Facebook.

News

Obituary: Toyo Tsuchiya (1948–2017)

Brady Ng

Installation view of “Fold: Golden Venture Paper Sculptures” at New York’s Museum of Chinese in America, New York, 2017. All images courtesy the artists and Museum of Chinese in Am

Ideas

Beyond the Fold: The Art of Refugees

Mimi Wong

Video

Interview with Christian Marclay

The Editors

Installation view of THE PROPELLER GROUP's survey exhibition at the San Jose Museum of Art, 2017. Photo by JKA Photography. Courtesy San Jose Museum of Art.

Shows

“The Propeller Group”

The Propeller Group layers commentary upon social, economic, spiritual and religious structures using banal and pop culture imagery Shona Mei Findlay

ArtAsiaPacific designer WINKY TSANG's rubber plate print Face Lock (2018) references a 50-year-old text to comment on our need for social acknowledgement.

Ideas

Imaginary Scenery

Winky Tsang

Mali Wu and Francesco Manacorda will co-curate the 11th Taipei Biennial and examine our relationship with nature. Courtesy Taipei Fine Arts Museum.

News

Mali Wu And Francesco Manacorda Named Co-curators Of The 2018 Taipei Biennial

Julee WJ Chung

KINGSLEY NG, After the Deluge, 2018, site specific installation and soundwalk. Photo by Esther Chan for ArtAsiaPacific.

Ideas

Universal Myths: Kingsley Ng’s After The Deluge

Brady Ng

JEWYO RHII, detail of Drawing Table –Outside the Comfort Zone, Day 3–, 2016, aluminum, stainless steel, spray paint, fabric and paper, 90 × 290 × 220 cm. Courtesy Amanda Wilkinson

Shows

Jewyo Rhii’s “The Day 3, Walls and Barbed”

"a response to a response." Ned Carter Miles

*FÜREYA KORAL* in front of her ceramic wall panel in the Istanbul Textile Traders Market in 1966. Photo by Ara Güler. Courtesy Karşılaşmalar, Istanbul.

Shows

Füreya Koral’s “Füreya”

“Füreya” invited the visitors to walk through the life and practice of Koral, and watch the artist trying to define her individual self. Naz Cuguoğlu

Under the patronage of the Saudi monarch Salman bin Abdulaziz al-Saud and with financial backing from the Saudi Arabian Oil Company, the King Abdulaziz Center for World Culture, al

News

Saudi Arabia’s King Abdulaziz Center For World Culture Prepares For Summer Launch

Julee WJ Chung

Installation view of *ZHAO ZHAO*'s

Imported

Self-Portrait

Siqiao Lu

*ARAYA RASDJARMREARNSOOK*, _Betweenness_, from the compilation _I Was Just Told That My Work is More or Less Too Sad for Christmas_, 2017, still from single-channel video: 22 min.

Shows

Araya Rasdjarmrearnsook’s “An Artist is Trying to Return to ‘Being a Writer’”

Multimedia works that act as witnesses to her writing process. David Willis

Installation view of NEVIN ALADAĞ's Beeline, 2014, at “Borderline,” Art Space Pythagorion, Samos, 2014. Photo by HG Masters for ArtAsiaPacific.

News

NEVIN ALADAĞ WINS ERNST RIETSCHEL ART PRIZE FOR SCULPTURE

Julee WJ Chung

Portrait of SHEN YUAN and HUANG YONG PING. Photo by Brady Ng for ArtAsiaPacific.

Ideas

No Looking Back: Profile of Huang Yong Ping and Shen Yuan

Brady Ng

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