The Editors

News

Sydney’s Sherman Centre for Culture and Ideas to Launch April 2018

Michael Young

Ideas

November Roundup: Notes from Nippon

Peter Augustus Owen

Installation view of *MAX PENSON*'s

Imported

Light on Central Asia

Lesley Ann Gray

(From left to right) Gwangju Biennale 2018 curators Yeon Shim Chung, Yeewan Koon, David Teh, Christine Y. Kim, Clara Kim, Sung woo Kim, Man Seok Kim and Chong-Ok Paek appear at a p

News

12th Gwangju Biennale Curators And Exhibitions Announced

Julee WJ Chung

Installation view of

Imported

Chris Evans, Pak Sheung Chuen: Two Exhibitions

Karen Cheung

Installation view of *ROBERT ANDREW*'s _Disruptive (Ill) Logic_ (2017) at Metro Arts, Brisbane, 2017. Courtesy the artist and Metro Arts.

Imported

Disruptive (Ill) Logic

Emily Wakeling

Under Construction—a collaborative work by the Malaysian artist collective PUSAT SEKITAR SENI and Indonesian group POPULATION PROJECT—was taken down by Malaysian authorities from t

News

Seven Artists Pull Out of Censored Kuala Lumpur Biennale

Brady Ng

Portrait of *LI MING*. Courtesy the artist and Rockbund Art Museum, Shanghai.

News

Li Ming Wins 2017 Hugo Boss Asia Art Awards

Ysabelle Cheung

Art critic, educator and previously blacklisted culture figure Hwang Hyun-san is now chairman of the Arts Council Korea. Photo via hani.co.kr.

News

Hwang Hyun-san Appointed As Chairman Of Korea Arts Council

Julee WJ Chung

On one side of a room in Singapore's 72-13, *HEMAN CHONG*'s

Ideas

Nocturnal Readings: Heman Chong’s “Because, the Night”

Melanie Pocock

Exterior of the Yayoi Kusama Museum. Photo by Masahiro Tsuchido. Courtesy the Yayoi Kusama Museum, Tokyo.

Ideas

Floor By Floor: The Yayoi Kusama Museum

Peter Augustus Owen

Installation view of SOPHEAP PICH's

Imported

Desire Line

Maki Nishida

The Hugo Boss Asia Art Award 2017 Exhibition was held at Shanghai’s Rockbund Art Museum. From the museum’s terrace, one can see the historic Broadway Mansions with its glowing art-

Ideas

All in Shanghai: Hugo Boss Asia Art Award 2017 Exhibition

Chloe Chu

PASCAL HACHEM, Left Under, 2017, wooden brushes, metal structures, step motor and electrical board. Photograph by Andy Stagg. Courtesy The Mosaic Rooms, London.

Shows

Pascal Hachem’s “The Show Has a Long Title That I Don’t Recall Anymore”

Questioning the capacity of impressions to remain accurate over time. Ned Carter Miles

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