The Editors - ArtAsiaPacific (Page 379)

Shows

“So Far So Right: A Study of Reforms and Transitions”

The exhibition touched on cold, rigid topics, including how power reshapes maps, borders, boundaries, and how to establish unique, cultural ties. Rikey Cheng

Installation view of YOKO ONO's Line Piece, 1966/2015, mixed media installation, dimensions variable, at

Ideas

AAP MONTHLY PICKS: February–March, 2018

The Editors

REETU SATTAR, Harano Sur (Lost Tune), 2016, documentation of performance at Dhaka Art Summit, 2018. Photo by Pablo Bartholomew. Courtesy Dhaka Art Summit.

Ideas

Dhaka Art Summit: Recap of Highlights

Anushka Rajendran

Shows

“Against the Light: Sampling in Two Cities”

Tapping cultural specificities of the Cantonese-speaking region in Southeast China, the exhibition focus on a younger generation of artists. Joe Zhu

Portrait of *SETSUKO ONO*. Courtesy the artist.

Ideas

I Go Where I Go: Interview With Setsuko Ono

Ned Carter Miles

Shows

Boaz Vaadia’s “Boaz Vaadia | 1951–2017”

The retrospective contained some strong examples, but failed for the most part to show Vaadia’s ability to express finesse from his creative process. Ned Carter Miles

In *SAMSON YOUNG*’s Palazzo Gundane (homage to the myth-maker who fell to earth) (2017), Michael Schiefel plays the role of Boomtown Gundane, a made-up South African singer-songwri

Ideas

Highlights From Samson Young’s “Songs for Disaster Relief World Tour” At M+ Pavilion

Sophie von Wunster

Imported

Leung Chi Wo’s “Something There and Never There”

Central to Leung’s works is the notion of temporality, a reminder that everything eventually comes full circle, only to repeat itself endlessly. Karen Cheung