The Editors

ZHOU TIEHAI, Will/We Must, 2017, Acrylic on newspaper collage mounted on paper, 210 x 457 cm. Courtesy Yuz Foundation, Shanghai.

Issue

Shanghai: Zhou Tiehai

Frances Arnold

NORBERTO ROLDAN, Holy War, 2016, Two-panel wall installation with old carpets, wooden crosses from demolished architectural debris, beeswax and lighting fixture, 162 x 447 cm.Court

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Manila: Notberto Roldan

Dominic Zinampan

CHENG RAN, Mongrel and Black Kite (Diary of a Madman – Hong Kong), 2017, Multi-video installation, dimensions variable. Installation view of “Diary of a Madman” at Galerie Urs Meil

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Beijing: Cheng Ran

Tom Mouna

TOSHIO MATSUMOTO, For the Damaged Right Eye, 1968, Multi-channel projections of digitalized 16 mm film, with sound by Akiyama Kuniharu: 13 min. Installation view of “Everything Vi

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Hong Kong: Toshio Matsumoto

Hera Chan

POLIT-SHEER-FORM OFFICE, Our Red Packet for Your Favorite Blue, 2017 Ready-mades, dimensions variable. Installation view of the eponymous exhibition at OCT Art & Design Gallery, Sh

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Shenzhen: Polit-Sheer-Form Office

Joe Zhu

ALFREDO AND ISABEL AQUILIZAN, Flight, 2017, Screen print on acetate film with LED light, 115 x 170 x 6.4 cm. Installation view of “Of Fragments and Impressions” at STPI – Creative

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Singapore: Isabel and Alfredo Aquilizan

Marybeth Stock

SHARON CHIN, Weeds Series, 2013, Fabric paint and wax crayon on polyester flags, 75 x 154 cm.Courtesy the artist and Ilham Gallery, Kuala Lumpur.

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Kuala Lumpur: Ilham Contemporary Forum Malaysia 2009-2017

Beverly Yong

RAMIN HAERIZADEH, To Be or Not To Be, That is the Question. And Though, it Troubles the Digestion, 2015-17,Mixed media collage on found oil painting and polycarbonate chair with pr

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Dubai: Ramin Haerizadeh

Lesley Ann Gray

HRAIR SARKISSIAN, Horizon, 2016, Two-channel video installation: 6 min 58 sec. Photo by Christopher Baaklini. Courtesy the artist and Kalfayan Galleries, Athens/Thessaloniki.

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Beirut: Hrair Sarkissian

Marlyne Sahakian

CANAN, Bird Woman, 2017, Installation with natural stone and stone carvings, dimensions variable.Installation view of “Behind Mount Qaf” at Arter – Space for Art, Istanbul, 2017.Ph

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Istanbul: Canan

Gökcan Demirkazik

AMAR KANWAR, Such a Morning, 2017, Single-channel video installation with color and sound: 85 min.Installation view of “Such a Morning” at Marian Goodman Gallery, London.Copyright

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London: Amar Kanwar

Ned Carter Miles

MOATAZ NASR, El Shaab (The People), 2012, Twenty-five ceramic figures, 27 x 6 x 10 cm each.Courtesy Barjeel Art Foundation, Sharjah.

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Annandale-On-Hudson: No to the Invasion: Breakdowns and Side Effects

Sara Raza

LIN TIANMIAO, Protruding Patterns, 2014, Wool thread, yarn, acrylic, dimensions variable.Installation view of “Protruding Patterns,” at Galerie Lelong, New York, 2017.Copyright the

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New York: Lin Tianmiao

Mimi Wong

AMIR H. FALLAH, Split Between Faraway Lands, 2017, Acrylic on canvas, 122 x 122 cm.Courtesy the artist and Shulamit Nazarian, Los Angeles.

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Los Angeles: Amir H. Fallah

Jennifer S. Li

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