The Editors - ArtAsiaPacific (Page 377)

Shows

“Datumsoria: The Return of the Real”

Key figures of video art as well as younger new-media artists reflected on the role of robotic power as both passive contributor and active producer in artistic practices today. Clara Tang

Portrait of *RASHEED ARAEEN*. Photo by Socrates Mitsios. Courtesy the artist and Van Abbemuseum, Eindhoven.

Ideas

Structures, Struggles and Collective Creativity: Interview with Rasheed Araeen

Clara Tang

ZARINA HASHMI, Cities I Called Home, 2010, portfolio of five woodcut prints and text on handmade Nepalese paper, 66 x 51 cm each. Courtesy the artist.

Shows

Zarina Hashmi’s “Dark Roads”

Mimi Wong

Another private museum has opened in Shanghai. The Powerlong Art Museum opened its doors to the public with two inaugural shows, showcasing works from the collections of Xu Jiankan

News

Powerlong Art Museum Opens In Shanghai

Sophie von Wunster

SEHER SHAH and RANDHIR SINGH, Studies in Form – Akbar Bhavan #20, 2017, cyanotope monoprint on Arches Aquarelle paper, 76 x 56 cm. Courtesy the artists; Samdani Art Foundation, Dha

Ideas

AAP MONTHLY PICKS: JANUARY–FEBRUARY, 2018

The Editors

Shows

“The Other Face of the Moon”

Exploring Western modernity and its “value system,” artists interpreting Mucem’s collections from an outsider’s perspective. Julee WJ Chung

TOYO TSUCHIYA, Japanese-born artist and photographer, passed away on November 23, 2017, at the age of 69 in New York. Image via the artist's Facebook.

News

Obituary: Toyo Tsuchiya (1948–2017)

Brady Ng

Installation view of “Fold: Golden Venture Paper Sculptures” at New York’s Museum of Chinese in America, New York, 2017. All images courtesy the artists and Museum of Chinese in Am

Ideas

Beyond the Fold: The Art of Refugees

Mimi Wong

Video

Interview with Christian Marclay

The Editors

Shows

“The Propeller Group”

The Propeller Group layers commentary upon social, economic, spiritual and religious structures using banal and pop culture imagery Shona Mei Findlay

ArtAsiaPacific designer WINKY TSANG's rubber plate print Face Lock (2018) references a 50-year-old text to comment on our need for social acknowledgement.

Ideas

Imaginary Scenery

Winky Tsang

Mali Wu and Francesco Manacorda will co-curate the 11th Taipei Biennial and examine our relationship with nature. Courtesy Taipei Fine Arts Museum.

News

Mali Wu And Francesco Manacorda Named Co-curators Of The 2018 Taipei Biennial

Julee WJ Chung

KINGSLEY NG, After the Deluge, 2018, site specific installation and soundwalk. Photo by Esther Chan for ArtAsiaPacific.

Ideas

Universal Myths: Kingsley Ng’s After The Deluge

Brady Ng

JEWYO RHII, detail of Drawing Table –Outside the Comfort Zone, Day 3–, 2016, aluminum, stainless steel, spray paint, fabric and paper, 90 × 290 × 220 cm. Courtesy Amanda Wilkinson

Shows

Jewyo Rhii’s “The Day 3, Walls and Barbed”

"a response to a response." Ned Carter Miles