The Editors

ZHANG YANZI, Tianwang Buxin Dan, 2014–15Album of 12 paintings, ink, color pigment and Chinese medicine on paper, 44.8 x 567.3 cm.Courtesy M+, Hong Kong

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Hong Kong: The Weight of Lightness

Olivia Wang

NIKHIL CHOPRA, Land Water, 2017Installation and eight-hour performance with 20 kilograms of mud, 20 kilograms of rice and 20 liters of water, dimensions variable.Installation view

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Jakarta: Jakarta Biennale 2017

Vera Mey

CHEN WEI, Night Paris, 2015Archival inkjet print, 150 x 187.5 cm.Copyright the artist. Courtesy Ota Fine Arts, Tokyo / Singapore / Shanghai.

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Singapore: Chen Wei

Jean Wong

SUH YOONHEE, Memory Gap, Istanbul, 2017Still from single-channel video of performance with Korean traditional dress, salt and water: 10 min 7 sec.Courtesy the artist.

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Tbilisi: Artisterium 2017

Charles Merewether

RAED YASSIN, Installation view of The Pimp, 2017, taxidermy parrot with sound: 9 min 45 sec (foreground), and “Playmate of the Month,” 2018, series of 18 archival inkjet print on p

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Beirut: Raed Yassin

Gökcan Demirkazik

ROY DIB, Here and There – Rome Edition, 2017Cotton, polyester fabric and paper, dimensions variable.Installation view of “Home Beirut. Sounding the Neighbors” at MAXXI, Rome, 2017-

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Rome: Home Beirut

Ana Vukadin

RASHEED ARAEEN, Installation view of “Rasheed Araeen: A Retrospective,” at Van Abbemuseum, Eindhoven, 2017-18.Photo by Peter Cox. Courtesy Van Abbemuseum.

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Eindhoven: Rasheed Araeen

Clara Tang

BASMA ALSHARIF, Ouroboros, 2017Still from video with color and sound: 1 hour 14 min.Courtesy the artist and Galerie Imane Farès, Paris.

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London: Basma Alsharif

Ned Carter Miles

AHMED MATER, Workers Camp, 2015C-print, 51 x 76 cm.Courtesy the artist.

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New York: Ahmed Mater

Tausif Noor

NOBORU TAKAYAMA, Untitled, 2018138 railroad ties, dimensions variable.Installation view of “Noboru Takayama” at Kayne Griffin Corcoran, Los Angeles.Photo by Flying Studio.Courtesy

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Los Angeles: Noboru Takayama

Jennifer S. Li

(Left) AMULET OF THE TAPIR,By Keiichi Tanaami, edited by Shinji Nanzuka, Kumiko Fukui and Akane Ukon.Published by Hioshina, Tokyo, 2017.Softcover with color illustrations, 414 page

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BOOK REVIEWS: When Worlds Collide

Brady Ng

Jawad al-Malhi in his studio in Ramallah, Palestine. Courtesy the artist.

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Jawad al-Malhi

HG Masters

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FINE PRINT: The Artist Pension Trust and the Price of Trusting Others

Ryan Su

Hon Chi Fun

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Hon Chi Fun

The Editors

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