The Editors

Installation view of PATRICIA PEREZ EUSTAQUIO’s The Future That Was (Reflections) (detail),2013, metal, cane (solihiya), paint, mirrors on fabric, dimensions variable,at “The Futur

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Being Within the Change

Elaine W. Ng

CHEN SHUN-CHU, King-Do Relic, 1996, nine wooden sculptures with image-transferred tiles, each 192 x 32 cm.Black-and-white installation view of “King-Do Relic” at IT Park Gallery, T

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ONE ON ONE: Kacey Wong on Chen Shun-Chu

Kacey Wong

View of Taichung in 2017. Courtesy C Yang.

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DISPATCH: Taichung

Fiona Cheng

Illustration by Chia-chi Yu

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THE POINT: A Friend

Yan Xing

Portrait of PRUMSODUN OK, 2018. Photo by Nobuyuki Arai. Courtesy the artist.

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Healing Through Movement

Ben Valentine

Portrait of Hsu Chia-Wei. Courtesy Liang Gallery, Taipei.

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Hsu Chia-Wei

Marcus Yee

Portrait of Michael Buxton. Photo by James Geer.

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Michael Buxton

Sarah Werkmeister

Portrait of Jaishri Abichandani. Photo by Ysabelle Cheung for ArtAsiaPacific.

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Jaishri Abichandani

Ysabelle Cheung

Installation view of MITOCHONDRIA: POWERHOUSES, 2017, mixed-media installation with Tesla coil machine, dimensions variable,at “Mitochondria: Powerhouses,” Galleria Continua, San G

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Ahmed Mater: The Edge Becomes The Center

Kevin Jones

UNTITLED (STILL LIFE 4), 2017, fiberglass resin, sugar paste, graphite, acrylic paint, brass strip, 43 x 38 cm. All images courtesy the artist and Silverlens, Makati.

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Patricia Perez Eustaquio: A World of Her Making

Josephine V. Roque

Installation view of SYLVIE FLEURY’s Eternity Now, 2015, neon, 10.2 x 83.8 cm, at the Bass Museum of Art, Miami, 2015–18. Courtesy Bass Museum of Art.

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INSIDE BURGER COLLECTION: Aesthetic Experience, Ownership, and Post-truth

Johannes Hoerning

HAEGUE YANG, Series of Vulnerable Arrangements- Version Utrecht, 2006, various sensory devices, aluminum venetian blinds, cable, dimensions variable. Installation view of “Haegue Y

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Cologne: Haegue Yang

HG Masters

PATRICIA PICCININI, FRONT: The Bond, 2016, Silicone, fiberglass, human hair and clothing, 162 x 56 x 50 cm.BACK: The Field, 2018, Ceramic installation, dimensions variable.Install

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Brisbane: Patricia Piccinini

Tim Walsh

HUANG YONG PING, Devons-nous Encore Construire une Grande Cathédrale? 1991Installation of table, stools, black-and-white photograph and paper-mache,dimensions variable.Installation

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Shanghai: Fondation Cartier pour l’Art Contemporain, A Beautiful Elsewhere

Arthur Solway

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