Shows
Nargess Hashemi’s “I Will Build a Tall City Interconnected by Cul-de-sacs”
Utopia is a place of interconnection, with the lines between public and private realms blurred and fluid. Lesley Ann Gray
The Editors
News
Inti Guerrero Appointed Artistic Director Of Bellas Artes Projects
Phoebe Tam
Shows
Yeditepe Biennial: Istanbul’s Islamic Arts Festival
Can the traditional arts be re-cast as contemporary art for the public? HG Masters
Shows
Golnaz Fathi “A Long Line Without a Word”
Freedom is attained through discipline. Only rarely does the artist permit a spontaneous line to leap free. Andrew Stooke
Ideas
Cappadox Contemporary Art Program: “Silence”
HG Masters
News
Daniel Tsal Wins 2018 Lauren and Mitchell Presser Photography Award for a Young Israeli Artist
Phoebe Tam
News
Myrna Ayad To Step Down As Director Of Art Dubai
Pamela Wong
Shows
Mak Ying Tung 2’s “The Anything Machine”
Mak creates a strange atmosphere, reflecting the feeling of a quasi-hypermodern spirituality when we look around to see what we actually pay dues to. Tom Mouna
Ideas
“Breaching Towards Other Futures” Through Divination and Myth
Mimi Wong
Shows
Jheon Soocheon’s “Space of Contemplation”
Has potential to be compelling but much in “Space of Contemplation,” is ultimately perfunctory and unconvincing. Ned Carter Miles
News
Mehdi Moutashar And Marina Tabassum Win Jameel Prize 5
Piers Masterson
News
Winners Announced for the Asia Pacific Breweries Foundation Signature Art Prize 2018
Pamela Wong
Shows
“Dismantling the Scaffold”
"Dismantling the Scaffold" implies an active de-shrouding; a tearing away at structures; a shedding of the temporary to reveal the concrete. Ysabelle Cheung
Shows
“Patani Semasa”
What is it like to make art in a place identified with conflict, in a Muslim community within a Buddhist nation? Beverly Yong