Imported
Kacey Wong on Chen Shun-Chu
Kacey Wong
The Editors
Magazine
Issue 109
Jul/Aug 2018
News
Ken And Julia Yonetani’s Uranium Glass Chandeliers Banned From Shanghai Show
Phoebe Tam
Ideas
Tbilisi: Roses from the Rubble, Part 2
HG Masters
Shows
Zheng Zhou’s “2014”
Paying tribute to a special creative period, Edouard Malingue Gallery presents 12 of Zheng’s paintings from 2014. Tianhui Huang
Ideas
A Painter's Forms: Interview with Musa Mayer
HG Masters
Shows
“Khalas”
The exhibition interrogates the issue of Muslim identity, religion and politics within contemporary culture and tradition Michael Young
Shows
Lu Xinjian’s “Boogie Woogie”
Showcasing 12 cityscape paintings to get lost in. Pamela Wong
News
Mori-TeamLab Digital Art Museum Opens In Tokyo
Tianhui Huang
Shows
Catherine Opie’s “So Long As They Are Wild”
Opie expresses a desire to return to nature for quiet contemplation. Phoebe Tam
Issue
Young & Emerging: New Bodies and Biologies
News
New Commercial Platform For 2019 Singapore Art Week
Reena Devi
Ideas
End of an Era: Highlights From Doreen Chan’s “How to Close a Window?” at Charbon Art Space
Christie Wong
![Installation view of CHIM↑POM’s archival installation <i>道 [Street]</i>, 2017, mixed media, dimensions variable, at “Why Open?” White Rainbow, London, 2018. Photo Damian Griffiths.](https://artasiapacific.com/rails/active_storage/blobs/proxy/eyJfcmFpbHMiOnsibWVzc2FnZSI6IkJBaHBBbnVrIiwiZXhwIjpudWxsLCJwdXIiOiJibG9iX2lkIn19--61c6bf6011a08d5cf24b15c4ccca407ded628b58/0_cp_wo_8.jpg)
Shows
Chim↑Pom’s “Why Open?”
Conveys a searing but accessible intelligence that is often absent from the work of so-called “edgy” artists. Ned Carter Miles