The Editors

PAUL PFEIFFER, Hand Holding Audio Recorder (Left); Justin Bieber Torso (Right), both 2018, 3D print duplicated in Santol wood, 16.4 x 22.3 x 11 cm; wood and paint, 62.4 x 48.7 x 23

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Makati: Paul Pfeiffer

Josephine V. Roque

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Baku: Shilpa Gupta

Lesley Ann Gray

SARKIS, Blue Heart, 2018, neon, 140 x 72 x 72 cm.Installation view of “Silence” at Ali Torun Church as part of Cappadox Festival, Cappadocia, 2018.Photo by Korhan Karaoysal. Courte

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Cappadocia: Silence

Misal Adnan Yildiz

EKO NUGRO HO, Garden Full of Blooming Democracy #10, 5 and 11, 2017, Acrylic on canvas, 200 x 150 cm. Installation view of “Plastic Democracy” at Arndt Art Agency, Berlin, 2018. Ph

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Berlin: Eko Nugroho

Clara Tang

LEE BUL, Willing to be Vulnerable - Metalized Balloon, 2015–16, Metalized film, transparent film and air blower, 300 x 1,700 x 300 cm.Installation view of “Crashing” at Hayward Gal

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London: Lee Bul

Ned Carter Miles

REZA ABDOH, Bogeyman, 1990, Documentation of 90-minute performance at the Los Angeles Theater Center,Los Angeles, August 30, 1991. Photo by Jan Deen. Courtesy Museum of Modern Art,

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New York: Reza Abdoh

Mimi Wong

(Left) FRAGMENTS, by Rayyane Tabet, published by Kaph Books, Beirut, 2018. Hardcover, 312 pages.(Middle) DARK FLUID, edited by Angela Su, published by Angela Su and Things That Can

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BOOK REVIEWS: Out of the Past

Brady Ng

Mit Jai Inn in his studio in Chiang Mai, with an artwork that Sawangwongse Yawnghwe painted in Mit’s space.

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Mit Jai Inn

Elaine W. Ng

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FINE PRINT: Flesh and Spirit and Advanced Lessons for Buying at Auction

Ryan Su

Issue 110

Shop

Issue 110

Sep/Oct 2018 US$ 21.00

Installation view of WONG KIT YI’s DNA sampling station at “Magic Wands, Batons and DNA Splicers,” am Space, Art Basel, Hong Kong, 2018. Courtesy the artist and am Space, Hong Kong

Imported

Double Time

Chloe Chu

LIN TIANMIAO, Reaction, 2018, arc panel structure, vibrating floor, liquid circulation system, dripping device, pulse machine and sound speakers, 334 x 334 x 339 cm. Installation v

Imported

Systems

Julee Woo Jin Chung

LEE BUL, Willing to be Vulnerable - Metalized Balloon, 2015–16, Metalized film, transparent film and air blower, 300 x 1,700 x 300 cm. Installation view of “Crashing” at Hayward Ga

Imported

Crashing

Ned Carter Miles

CHOI HYO-JUN has been suspended from his position as director of the Seoul Museum of Art while investigations are being made into sexual harassment allegations levelled against him

News

Seoul Museum of Art Director Suspended Following Sexual Harassment Complaint

HG Masters

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