The Editors - ArtAsiaPacific (Page 344)

LEE BUL, Willing to be Vulnerable - Metalized Balloon, 2015–16, Metalized film, transparent film and air blower, 300 x 1,700 x 300 cm.Installation view of “Crashing” at Hayward Gal

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London: Lee Bul

Ned Carter Miles

REZA ABDOH, Bogeyman, 1990, Documentation of 90-minute performance at the Los Angeles Theater Center,Los Angeles, August 30, 1991. Photo by Jan Deen. Courtesy Museum of Modern Art,

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New York: Reza Abdoh

Mimi Wong

(Left) FRAGMENTS, by Rayyane Tabet, published by Kaph Books, Beirut, 2018. Hardcover, 312 pages.(Middle) DARK FLUID, edited by Angela Su, published by Angela Su and Things That Can

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BOOK REVIEWS: Out of the Past

Brady Ng

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Mit Jai Inn

Elaine W. Ng

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FINE PRINT: Flesh and Spirit and Advanced Lessons for Buying at Auction

Ryan Su

Shop

Issue 110

Sep/Oct 2018 US$ 21.00

Installation view of WONG KIT YI’s DNA sampling station at “Magic Wands, Batons and DNA Splicers,” am Space, Art Basel, Hong Kong, 2018. Courtesy the artist and am Space, Hong Kong

Imported

Double Time

Chloe Chu

LIN TIANMIAO, Reaction, 2018, arc panel structure, vibrating floor, liquid circulation system, dripping device, pulse machine and sound speakers, 334 x 334 x 339 cm. Installation v

Imported

Systems

Julee Woo Jin Chung

Imported

Crashing

Ned Carter Miles

CHOI HYO-JUN has been suspended from his position as director of the Seoul Museum of Art while investigations are being made into sexual harassment allegations levelled against him

News

Seoul Museum of Art Director Suspended Following Sexual Harassment Complaint

HG Masters

Shows

Tony Albert’s “Visible”

“Visible” was a fitting celebration of one of Australia’s most exciting artists. Rebecca Joyce

The winners of the 2018 Ateneo Art Awards were announced on August 26. Pictured here are (from left): Victoria T. Herrera, director and chief curator of Ateneo Art Gallery; Millet

News

Winners Announced for the 2018 Ateneo Art Awards

Phoebe Tam

Shows

Daniele Genadry’s “Slow Light”

The threshold of visibility and intelligibility remains ambivalent and ambulatory, as shapes emerge from and recede into the nebulous swaths of light. Gokcan Demirkazik

Installation view of *TAP CHAN*'s _Entanglement_ (detail), 2018, wood, sponge sheet, fabric, nylon fiber, dimensions variable, at

Shows

“The Day the Gods Stop Laughing”

Common household objects disrupt deliberate sophistication, symbolizing the unglamorous aspects of life. Pamela Wong