The Editors - ArtAsiaPacific (Page 342)

Shows

“Dismantling the Scaffold”

"Dismantling the Scaffold" implies an active de-shrouding; a tearing away at structures; a shedding of the temporary to reveal the concrete. Ysabelle Cheung

*JEHABDULLOH JEHSORHOH*, _The Way of Life of Malay Locals in the Three Southernmost Provinces of Thailand_, 2005, tempera painting on handmade Saa paper, 200 x 138 cm. All images c

Shows

“Patani Semasa”

What is it like to make art in a place identified with conflict, in a Muslim community within a Buddhist nation? Beverly Yong

Installation view of PATRICIA PEREZ EUSTAQUIO’s The Future That Was (Reflections) (detail),2013, metal, cane (solihiya), paint, mirrors on fabric, dimensions variable,at “The Futur

Issue

Being Within the Change

Elaine W. Ng

CHEN SHUN-CHU, King-Do Relic, 1996, nine wooden sculptures with image-transferred tiles, each 192 x 32 cm.Black-and-white installation view of “King-Do Relic” at IT Park Gallery, T

Issue

ONE ON ONE: Kacey Wong on Chen Shun-Chu

Kacey Wong

View of Taichung in 2017. Courtesy C Yang.

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DISPATCH: Taichung

Fiona Cheng

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THE POINT: A Friend

Yan Xing

Portrait of PRUMSODUN OK, 2018. Photo by Nobuyuki Arai. Courtesy the artist.

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Healing Through Movement

Ben Valentine

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Hsu Chia-Wei

Marcus Yee

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Michael Buxton

Sarah Werkmeister

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Jaishri Abichandani

Ysabelle Cheung

Installation view of MITOCHONDRIA: POWERHOUSES, 2017, mixed-media installation with Tesla coil machine, dimensions variable,at “Mitochondria: Powerhouses,” Galleria Continua, San G

Issue

Ahmed Mater: The Edge Becomes The Center

Kevin Jones

UNTITLED (STILL LIFE 4), 2017, fiberglass resin, sugar paste, graphite, acrylic paint, brass strip, 43 x 38 cm. All images courtesy the artist and Silverlens, Makati.

Issue

Patricia Perez Eustaquio: A World of Her Making

Josephine V. Roque

Installation view of SYLVIE FLEURY’s Eternity Now, 2015, neon, 10.2 x 83.8 cm, at the Bass Museum of Art, Miami, 2015–18. Courtesy Bass Museum of Art.

Issue

INSIDE BURGER COLLECTION: Aesthetic Experience, Ownership, and Post-truth

Johannes Hoerning

HAEGUE YANG, Series of Vulnerable Arrangements- Version Utrecht, 2006, various sensory devices, aluminum venetian blinds, cable, dimensions variable. Installation view of “Haegue Y

Issue

Cologne: Haegue Yang

HG Masters