The Editors

Image of Marina Bay Sands Hotel and Casino, taken from Merlion Park, Singapore, 2015. Photo by Sasin Tipchai.

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Hopping on a Broken Bandwagon

Reena Devi

Installation view of “Art Patrons” at Qiao Space, Shanghai, 2018. Courtesy Qiao Collection, Shanghai .

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Ladies and Gentlemen of Leisure

Danielle Shang

Portrait of Dale Harding. Photo by Karen Lawton. Courtesy the artist and Milani Gallery, Brisbane.

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Dale Harding

Tim Walsh

Portrait of Akiko Yamazaki and Jerry Yang. Photo by Angela DeCenzo.

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Akiko Yamazaki and Jerry Yang

Olivia Wang

Portrait of Khvay Samnang. Courtesy Edouard Malingue Gallery, Hong Kong/Shanghai.

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Khvay Samnang

Ophelia Lai

Ma Qiusha: Cutting Through Histories

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Ma Qiusha: Cutting Through Histories

Tom Mouna

Anita Dube: Naked and Knife-sharp

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Anita Dube: Naked and Knife-sharp

Jyoti Dhar

ISADORA VAUGHAN, Canker Sore, 2018, ceramic, epoxy, synthetic polymer sheet, steel, glass, silicon, crushed rock and sand, dimensions variable. Installation view at “From Will to F

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TarraWarra: TarraWarra Biennial

Eloise Breskvar

KUNIÉ SUGIURA, Hoppings A Positive, 1996, gelatin silver print, 8 x 10 cm. Courtesy Taka Ishii Gallery, Tokyo/New York.

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Tokyo: Kunié Sugiura

Maki Nishida

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Shanghai: Cheng Ran

Arthur Solway

Beijing: Shoji Ueda

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Beijing: Shoji Ueda

Tom Mouna

CAO FEI, Rumba, 2015–18, wooden stage and cleaning robots, dimensions variable. Installation view of “A Hollow in a World Too Full” at Tai Kwun Contemporary, Hong Kong, 2018–19. Co

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Hong Kong: A Hollow in a World Too Fulls

Ysabelle Cheung

Jakarta: Indonesia, Spirit of the World

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Jakarta: Indonesia, Spirit of the World

Vera Mey

Ramallah: Subcontracted Nations

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Ramallah: Subcontracted Nations

Brady Ng

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