The Editors

Illustration by Margherita Morotti

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THE POINT: B Movie Synopsis

SAMSON YOUNG

Still from Nanette, a live recording of a stand-up comedy set by Tasmanian comic and art critic Hannah Gadsby, 2018. Photo by Ben King. Courtesy Netflix.

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Global Curatorial Futures

Yung Ma and Clara Kim

MING WONG, Life of Imitation, 2009, still from two-channel video installation with color and sound: 13 min. Courtesy the artist.

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Rising Generation

Wiyu Wahono

Portrait of WONG KIT YI, from her exhibition “North Pole Futures” at K., New York, 2015. Courtesy the artist.

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Wong Kit Yi

Chloe Chu

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Lawrence Lek

Ysabelle Cheung

Portrait of Larissa Sansour. Courtesy the artist.

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Larissa Sansour

Ned Carter Miles

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Future Cities

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Future Institutions

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Future Markets

WAIT FOR ME IN A CRASHING AIRSHIP, 2016, still image of 360-degree VR video with color and sound: 16 min 45 sec. Courtesy the artists.

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Young & Emerging: New Narratives

The Editors

Image of the Langen Foundation. Photo by Tomas Riehle. Copyright Langen Foundation, Neuss.

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INSIDE BURGER COLLECTION: How to See [What Isn’t There]

Gianni Jetzer

ZAO WOU-KI, Traversée des Apparences, 1956, oil on canvas, 97 x 195 cm. Photo by Dennis Bouchard.Copyright Association pour la Diffusion des Arts Graphiques et Plastiques, Paris, 2

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Paris: Zao Wou-ki

HG Masters

SUN XUN, Untitled (MCA Residency Painting), 2018, acrylic, pencil and charcoal on paper, 1,000 x 120 cm.Image of live painting performance at Museum of Contemporary Art Australia,

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Sydney: Sun Xun

Michael Young

KARRABING FILM COLLECTIVE, Seenandunseen, 2017, detail of three-channel video installation with vitrine, maps and magnifying glasses, dimensions variable. Photo by Carl Warner. Cou

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Brisbane: Karrabing Film Collective

Tim Walsh

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