The Editors - ArtAsiaPacific (Page 324)

Shows

Chitra Ganesh’s “The Scorpion Gesture/Face of the Future”

Juxtaposing tradition with contemporary works is nothing new, but Ganesh thoughtfully threads the past into the future. Mimi Wong

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Issue 110

Sep/Oct 2018 US$ 21.00

Installation view of WONG KIT YI’s DNA sampling station at “Magic Wands, Batons and DNA Splicers,” am Space, Art Basel, Hong Kong, 2018. Courtesy the artist and am Space, Hong Kong

Imported

Double Time

Chloe Chu

LIN TIANMIAO, Reaction, 2018, arc panel structure, vibrating floor, liquid circulation system, dripping device, pulse machine and sound speakers, 334 x 334 x 339 cm. Installation v

Imported

Systems

Julee Woo Jin Chung

LEE BUL, Willing to be Vulnerable - Metalized Balloon, 2015–16, Metalized film, transparent film and air blower, 300 x 1,700 x 300 cm. Installation view of “Crashing” at Hayward Ga

Imported

Crashing

Ned Carter Miles

CHOI HYO-JUN has been suspended from his position as director of the Seoul Museum of Art while investigations are being made into sexual harassment allegations levelled against him

News

Seoul Museum of Art Director Suspended Following Sexual Harassment Complaint

HG Masters

Shows

Tony Albert’s “Visible”

“Visible” was a fitting celebration of one of Australia’s most exciting artists. Rebecca Joyce

The winners of the 2018 Ateneo Art Awards were announced on August 26. Pictured here are (from left): Victoria T. Herrera, director and chief curator of Ateneo Art Gallery; Millet

News

Winners Announced for the 2018 Ateneo Art Awards

Phoebe Tam

Shows

Daniele Genadry’s “Slow Light”

The threshold of visibility and intelligibility remains ambivalent and ambulatory, as shapes emerge from and recede into the nebulous swaths of light. Gokcan Demirkazik

Installation view of *TAP CHAN*'s _Entanglement_ (detail), 2018, wood, sponge sheet, fabric, nylon fiber, dimensions variable, at

Shows

“The Day the Gods Stop Laughing”

Common household objects disrupt deliberate sophistication, symbolizing the unglamorous aspects of life. Pamela Wong

Portrait of JUDITH NEILSON. All photos by Michael Young for _ArtAsiaPacific_.

Ideas

Simply a Custodian: Profile of Judith Neilson

Michael Young

Installation view of *JOHN MAWURNDJUL*'s

Shows

John Mawurndjul’s “I Am the Old and the New”

Presenting a long overdue celebration of John Mawurndjul, one of the foremost Indigenous bark painters in the country. Wendy Fang

HEMAN CHONG, Foreign Affairs #35, 2018, UV print on unprimed canvas, 200 x 130 x 5 cm. Courtesy the artist.

Issue

Dragons, Hydra and the 21st Century

Elaine W. Ng

JUN NGUYEN-HATSUS HIBA, Memorial Project Nha Trang, Vietnam: Towards the Complex, For the Courageous, the Curious, and the Cowards, 2001, Still from single-channel video, with colo

Issue

ONE ON ONE: MAP Office on Jun Nguyen-Hatsushiba

MAP Office