The Editors

BAHC YISO, Capital=Creativity, 1996, acrylic on paper, 50 × 81 cm. Courtesy National Museum of Modern and Contemporary Art, Seoul/Gwacheon/Cheongju.

Imported

Bahc Yiso

Victoria Sung

Issue 112

Magazine

Issue 112

Mar/Apr 2019

KEIICHI TANAAMI, Bizarre Theater, 2006, acrylic on screened canvas, 145.5 × 97 cm. Copyright the artist; courtesy the artist and Nanzuka, Tokyo.

Issue

Digital Terrestrials

Elaine W. Ng

Installation view of DANNY YUNG's Video Circle 2000, 2000, 32 television sets and video players showing loops of video works from 108 artists of the Asia-Pacific region, dimensions

Issue

ONE ON ONE: Ellen Pau on Danny Yung

Ellen Pau

Photograph of Wing on Wo & Co. storefront in New York. Image by Eric Jenkins-Sahlin. Courtesy Wing on Wo & Co., New York.

Issue

DISPATCH: New York

Eugenie Tsai

Illustration by Sandy Wang

Issue

THE POINT: Advising for Longevity

Meredith Kirk

YOSHIDA MINORU, Epicurism of Space Universe on the Rock, 1975, photo documentation of performance at Shinnecock Beach, New York.Photo by Gary Jacquemin. Courtesy Midori Yoshida and

Issue

When Video Promised a Sci-Fi Future

Nina Horisaki-Christens

Portrait of Patrick Sun. Courtesy Sunpride Foundation, Hong Kong.

Issue

Patrick Sun

Ysabelle Cheung

Portrait of Sue Cato. Photo by Michael Young for ArtAsiaPacific.

Issue

Sue Cato

Michael Young

Portrait of Frank F. Yang.Courtesy Frank F. Yang Art and Education Foundation, Shenzhen / Shanghai.

Issue

Frank F. Yang

Chloe Chu

Portrait of Edmund Cheng with Dan Graham’s Elliptical Pavlilion (2017).Photo by Genevieve Chua for ArtAsiaPacific.

Issue

Edmund Cheng

Elaine W. Ng

Portrait of Christoph Bendick. Courtesy Norm Phanith / Somrith Creative Studio, Phnom Penh.

Issue

Christoph Bendick

Reaksmey Yean

MEMENTO MORI, 2018, pigmented ink, acrylic silkscreen medium, crushed glass, glitter acrylic paint and acrylic paint on canvas, 200 × 400 cm. All images copyright the artist; court

Issue

Keiichi Tanaami: Demekin Memories

Brady Ng

Installation view of A REFLECTED LANDSCAPE, 2016, mixed-media installation with HD video, paint, and sound, dimensions variable, at the 9th Berlin Biennale, “The Present in Drag,”

Issue

Timur Si-Qin: Immanence, Infinite Difference

Ophelia Lai

See all