The Editors

Photograph of Wing on Wo & Co. storefront in New York. Image by Eric Jenkins-Sahlin. Courtesy Wing on Wo & Co., New York.

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DISPATCH: New York

Eugenie Tsai

Illustration by Sandy Wang

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THE POINT: Advising for Longevity

Meredith Kirk

YOSHIDA MINORU, Epicurism of Space Universe on the Rock, 1975, photo documentation of performance at Shinnecock Beach, New York.Photo by Gary Jacquemin. Courtesy Midori Yoshida and

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When Video Promised a Sci-Fi Future

Nina Horisaki-Christens

Portrait of Patrick Sun. Courtesy Sunpride Foundation, Hong Kong.

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Patrick Sun

Ysabelle Cheung

Portrait of Sue Cato. Photo by Michael Young for ArtAsiaPacific.

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Sue Cato

Michael Young

Portrait of Frank F. Yang.Courtesy Frank F. Yang Art and Education Foundation, Shenzhen / Shanghai.

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Frank F. Yang

Chloe Chu

Portrait of Edmund Cheng with Dan Graham’s Elliptical Pavlilion (2017).Photo by Genevieve Chua for ArtAsiaPacific.

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Edmund Cheng

Elaine W. Ng

Portrait of Christoph Bendick. Courtesy Norm Phanith / Somrith Creative Studio, Phnom Penh.

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Christoph Bendick

Reaksmey Yean

MEMENTO MORI, 2018, pigmented ink, acrylic silkscreen medium, crushed glass, glitter acrylic paint and acrylic paint on canvas, 200 × 400 cm. All images copyright the artist; court

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Keiichi Tanaami: Demekin Memories

Brady Ng

Installation view of A REFLECTED LANDSCAPE, 2016, mixed-media installation with HD video, paint, and sound, dimensions variable, at the 9th Berlin Biennale, “The Present in Drag,”

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Timur Si-Qin: Immanence, Infinite Difference

Ophelia Lai

FORSAKEN LANDSCAPES, 2018, two-channel, HD video: 33 min 21 sec; 18 min 50 sec.Installation view at “Hao Jingban: Uninvited Guests,” Blindspot Gallery, Hong Kong, 2018–19.Courtesy

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IN DEPTH: Hao Jingban, Nalini Malani, Apichatpong Weerasethakul, and Arin Rungjang

Chloe Chu, Ysabelle Cheung, HG Masters, Ophelia Lai

JOYCE HO, Overexposed Memory, 2015.Still from single-channel video installation: 4 min 47 sec.Courtesy the artist and TKG+, Taipei/Beijing.

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Brisbane:The 9th Asia Pacific Triennial of Contemporary Art

Tim Riley Walsh

XIAO LU, 15 Gunshots . . . from 1989 to 2003, 2003.15 black-and-white digital prints, framed then punctured by a bullet, 100 × 45 × 15 cm each.Installation view of “Xiao Lu: Imposs

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Sydney: Xiao Lu

Michael Young

HIWA K., The Bell, 2015.War-metal waste cast into bronze with wood, 176 × 215 × 121 cm; two-channel HD video with color and sound: 25 and 35 min.Installation view of “Catastrophe a

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Tokyo: Catastrophe and the Power of Art

Brady Ng

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