The Editors

SOPHIA AL-MARIA, Wayuu Creation Myth, 2018, still from single-channel video installation: 3 min 56 sec. Courtesy the artist.

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London: Sophia al-Maria

Ned Carter Miles

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New York: Perilous Bodies

Mimi Wong

WANG XU, Untitled Athena (foreground) and Garden of Seasons (background), both 2018, hanbaiyu marble from Hunan, 220 × 130 × 85 cm;two-channel video with color and sound: 32 min 34

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Los Angeles: Wang Xu

Hyunjee Nicole Kim

BERNICE AKAMINE, Ku‘u One Hānau, 1999–, Hawaiian flag and metal, 243.8 × 304.8 × 218.4 cm. Installation view of the McCoy Pavilion at Foster Botanical Garden, Honolulu Biennial, 20

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Honolulu: Honolulu Biennial

Michaela Bear

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BOOK REVIEWS: Objects and Ornaments

Mimi Wong

Richard Bell in his Brisbane studio.

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Richard Bell

Michael Young

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Patty Chang

The Editors

SHIRLEY TSE, Negotiated Differences (detail), 2019, 3D-printed forms in wood, carved wood, metal, and plastic. Photo by Joshua White. Courtesy the artist and M+, Hong Kong.

Imported

The Polymer Multiverse

Julee Woo Jin Chung

Imported

Prelude to Venice

Clara Tang

LEE WEN, Strange Fruit, 2003, c-print, 42 × 59.4 cm. Courtesy Singapore Art Museum.

Imported

We Dare to Dream: On Lee Wen

Anida Yoeu Ali

Installation view of WANG XU's Untitled Athena (foreground) and Garden of Seasons (background), both 2018, Hanbaiyu marble from Hunan, 220 × 130 × 85 cm; two-channel video with col

Imported

Wang Xu

Hyunjee Nicole Kim

Installation view of *GENEVIEVE CHUA*'s

Imported

Closed During Opening Hours

Marybeth Stock

Issue 113

Magazine

Issue 113

May/Jun 2019

Shu Lea Cheang

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Shu Lea Cheang

The Editors

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