The Editors

Installation view of CHIHARU SHIOTA’s Where Are We Going?, 2017/19, white wool, wire, and rope, dimensions variable, at “The Soul Trembles,” Mori Art Museum, Tokyo, 2019. Photo by

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Tokyo: Chiharu Shiota

Maki Nishida

WU SHANZHUAN, Four Layers: Sky/Blast/ Butterfrog/Balloon, 2014, acrylic on canvas, 200 x 300.5 cm. Courtesy Long March Space, Beijing.

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Beijing: Wu Shanzhuan

HG Masters

SIM CHI YIN, Remnants #12, 2017, giclée print on cotton rag paper, 110.5 × 110.5 cm. Courtesy the artist and Hanart TZ Gallery, Hong Kong.

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Hong Kong: Sim Chi Yin

Xuan Wei Yap

MANUEL OCAMPO, Learning to Code pt. 6, 2019, stitched and hand-painted collages,screenprint and acrylic on canvas, 126 × 116 cm. Courtesy the artist and STPI – Creative Workshop &

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Singapore: Manuel Ocampo

Sylvia Tsai

BANI ABIDI, Death at a 30 Degree Angle, 2012, still from video installation: 15 min.Courtesy the artist and Experimenter Gallery, Kolkata.

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Berlin: Bani Abidi

Clara Tang

Installation view of WONG PING’s The Ha Ha Ha Online Cemetry Limited (foreground), 2019, toy dentures, dimensionsvariable, and Dear, Can I Give You a Hand? (background), 2018, anim

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London: Wong Ping

Ned Carter Miles

Installation view of MRINALINI MUKHERJEE’s “Phenomenal Nature” at the Met Breuer, New York, 2019.Courtesy the Metropolitan Museum of Art, New York.

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New York: Mrinalini Mukherjee

MIMI WONG

Installation view of selected works from TRUC-ANH’s Ink Kingdom series, 2015– , ink on paper, dimensions variable, at “Where the Sea Remembers,” The Mistake Room, Los Angeles, 2019

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Los Angeles: Where the Sea Remembers

Ruben Luong

South Ho Siu Nam at his desk in his Fo Tan studio.

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South Ho Siu Nam

Ysabelle Cheung

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On Board with Good Business

RYAN SU

Issue 115

Magazine

Issue 115

Sep/Oct 2019

The De-Satirized Zone

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The De-Satirized Zone

HARRY C. H. CHOI

Installation views of Elevator Pitch, created in collaboration with New Orleans Airlift and Rick Snow, 2019, mild steel, stainless steel, copper, acrylic, cypress, electronic instr

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IN DEPTH: CHRISTINE SUN KIM, NAOMI BLACKLOCK, DYLAN MIRA

Ysabelle Cheung, Ophelia Lai, HG Masters, Chloe Chu

MEIRO KOIZUMI, Air #1, 2016, oil on printed canvas, 40 x 60 cm. Takashi Collection, Tokyo. All photos by HG Masters for ArtAsiaPacific.

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Nagoya and Toyota: Aichi Triennale 2019

HG Masters

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