The Editors

Portrait of SYDNEY SHEN. Courtesy the artist.

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Sydney Shen

Ysabelle Cheung

Portrait of İNCİ FURNİ. Courtesy the artist.

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İnci̇ Furni̇

Chloe Chu

Installation view of Disputed Utterance, 2019, wall installation composed of seven groups of lasercut C-printsmounted on cardboard and plexiglass bases, and seven texts printed on

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Lawrence Abu Hamdan: In the Ear of the Beholder

Ophelia Lai

Portrait of Okwui Enwezor, artistic director of Documenta 11, in Kassel, Germany, 2002. Photo by Werner Maschmann. Courtesy Documenta Archiv, Kassel.

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Remembering Okwui Enwezor

Alfredo Jaar, Ute Meta Bauer, Hyunjin Kim, Hou Hanru

Installation view of Landscape Series #1, 2013, video and 35mm slide projection: 5 min, at Nha San Collective, Hanoi, 2013. All images courtesy the artist.

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A Conversation With Nguyen Trinh Thi: Filmmaking as Resistant Poetic Amplitude

MINH NGUYEN

Together We Might Get Away, 2019, oil on canvas, 244 × 183 cm. Unless otherwise stated, images courtesy the artist and albertz benda, New York.

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INSIDE BURGER COLLECTION: Timothy Curtis

Alex Baker

Installation view of AGATHA GOTHE-SNAPE and WRONG SOLO’s exhibition “Certain Situations,” at the Institute of Modern Art, Brisbane, 2019. Photo by Carl Warner. Courtesy Institute o

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Brisbane: Agatha Gothe-snape and Wrong Solo

LOUISE R. MAYHEW

Installation view of YALOO’s Yaloo Seaweed Garden, 2019, projection mapping sculpture and virtual reality application, dimensions variable, at “ACT 2019: FoodHack,” Asia Culture Ce

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Gwangju: Act Festival 2019: Foodhack

HG Masters

Installation view of CHIHARU SHIOTA’s Where Are We Going?, 2017/19, white wool, wire, and rope, dimensions variable, at “The Soul Trembles,” Mori Art Museum, Tokyo, 2019. Photo by

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Tokyo: Chiharu Shiota

Maki Nishida

WU SHANZHUAN, Four Layers: Sky/Blast/ Butterfrog/Balloon, 2014, acrylic on canvas, 200 x 300.5 cm. Courtesy Long March Space, Beijing.

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Beijing: Wu Shanzhuan

HG Masters

SIM CHI YIN, Remnants #12, 2017, giclée print on cotton rag paper, 110.5 × 110.5 cm. Courtesy the artist and Hanart TZ Gallery, Hong Kong.

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Hong Kong: Sim Chi Yin

Xuan Wei Yap

MANUEL OCAMPO, Learning to Code pt. 6, 2019, stitched and hand-painted collages,screenprint and acrylic on canvas, 126 × 116 cm. Courtesy the artist and STPI – Creative Workshop &

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Singapore: Manuel Ocampo

Sylvia Tsai

BANI ABIDI, Death at a 30 Degree Angle, 2012, still from video installation: 15 min.Courtesy the artist and Experimenter Gallery, Kolkata.

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Berlin: Bani Abidi

Clara Tang

Installation view of WONG PING’s The Ha Ha Ha Online Cemetry Limited (foreground), 2019, toy dentures, dimensionsvariable, and Dear, Can I Give You a Hand? (background), 2018, anim

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London: Wong Ping

Ned Carter Miles

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