The Editors

Partial installation view of YUTAKA MATSUZAWA's The Nine Meditation Chambers, 1977, 12 handwritten and typed sheets, 18 × 25.6 cm each, at Nonaka-Hill Gallery, Los Angeles, 2019. C

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Los Angeles: Yutaka Matsuzawa

Jennifer S. Li

BOOK REVIEWS: Tracking Transformations

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BOOK REVIEWS: Tracking Transformations

Pamela Wong, Ophelia Lai, Chloe Chu

Portrait of the artist HILMI JOHANDI in front of his Singapore studio. All photos by Marybeth Stock for ArtAsiaPacific unless otherwise stated.

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Hilmi Johandi

Marybeth Stock

Issue 116

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Issue 116

Nov/Dec 2019 US$ 21.00

Installation view of *RAYYANE TABET*'s

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Parasol Unit to Close London Space in 2020

Michael Rasnic

Illustration by Cristina Daura

Imported

Tipping the Scale

Michael Mccullough

TALA MADANI, Family Portrait, 2019, oil on linen, 96.8 × 76.2 × 3.2 cm. Photo by Lee Thompson. Courtesy David Kordansky Gallery, Los Angeles.

Imported

Between the Waking Life and the Lucid Dream

Danielle Shang

ELIA SULEIMAN, Divine Intervention, 2002, still from film: 92 min. Courtesy the artist and Pyramide Films, Paris.

Imported

Bani Abidi on Elia Suleiman

Bani Abidi

Installation view of ALIA FARID’s “In Lieu of What Was,” at Portikus, Frankfurt, 2019. Photo by Diana Pfammatter. Courtesy the artist.

Imported

In Lieu of What Was

Clara Tang

Partial installation view of YUTAKA MATSUZAWA's The Nine Meditation Chambers, 1977, 12 handwritten and typed sheets, 18 × 25.6 cm each, at Nonaka-Hill Gallery, Los Angeles, 2019. C

Imported

Yutaka Matsuzawa

Jennifer S. Li

Installation view of *SIAH ARMAJANI*’s _Sacco and Vanzetti Reading Room No. 3_, 1988, mixed media, dimensions variable, at “Spaces for the Public. Spaces for Democracy.” NTU Centre

Imported

Spaces for the Public. Spaces for Democracy.

Marybeth Stock

Frankfurt: Alia Farid: In Lieu of What Was

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Frankfurt: Alia Farid: In Lieu of What Was

Clara Tang

The Sketch: Yee I-Lann

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The Sketch: Yee I-Lann

The Editors

ADEELA SULEMAN's contribution to the 2019 Karachi Biennale, Killing Fields of Karachi (2019), has been destroyed and removed from the event. Image via Nazish Brohi's Twitter.

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Work About Extrajudicial Killings Destroyed at Karachi Biennale

Lauren Long

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