The Editors

Installation view of Disputed Utterance, 2019, wall installation composed of seven groups of lasercut C-printsmounted on cardboard and plexiglass bases, and seven texts printed on

Issue

Lawrence Abu Hamdan: In the Ear of the Beholder

Ophelia Lai

Portrait of Okwui Enwezor, artistic director of Documenta 11, in Kassel, Germany, 2002. Photo by Werner Maschmann. Courtesy Documenta Archiv, Kassel.

Issue

Remembering Okwui Enwezor

Alfredo Jaar, Ute Meta Bauer, Hyunjin Kim, Hou Hanru

Installation view of Landscape Series #1, 2013, video and 35mm slide projection: 5 min, at Nha San Collective, Hanoi, 2013. All images courtesy the artist.

Issue

A Conversation With Nguyen Trinh Thi: Filmmaking as Resistant Poetic Amplitude

MINH NGUYEN

Installation view of AGATHA GOTHE-SNAPE and WRONG SOLO’s exhibition “Certain Situations,” at the Institute of Modern Art, Brisbane, 2019. Photo by Carl Warner. Courtesy Institute o

Issue

Brisbane: Agatha Gothe-snape and Wrong Solo

LOUISE R. MAYHEW

Installation view of YALOO’s Yaloo Seaweed Garden, 2019, projection mapping sculpture and virtual reality application, dimensions variable, at “ACT 2019: FoodHack,” Asia Culture Ce

Issue

Gwangju: Act Festival 2019: Foodhack

HG Masters

Installation view of CHIHARU SHIOTA’s Where Are We Going?, 2017/19, white wool, wire, and rope, dimensions variable, at “The Soul Trembles,” Mori Art Museum, Tokyo, 2019. Photo by

Issue

Tokyo: Chiharu Shiota

Maki Nishida

WU SHANZHUAN, Four Layers: Sky/Blast/ Butterfrog/Balloon, 2014, acrylic on canvas, 200 x 300.5 cm. Courtesy Long March Space, Beijing.

Issue

Beijing: Wu Shanzhuan

HG Masters

SIM CHI YIN, Remnants #12, 2017, giclée print on cotton rag paper, 110.5 × 110.5 cm. Courtesy the artist and Hanart TZ Gallery, Hong Kong.

Issue

Hong Kong: Sim Chi Yin

Xuan Wei Yap

Issue

Guangzhou: The Racing Will Continue, The Dancing Will Stay

MANUEL OCAMPO, Learning to Code pt. 6, 2019, stitched and hand-painted collages,screenprint and acrylic on canvas, 126 × 116 cm. Courtesy the artist and STPI – Creative Workshop &

Issue

Singapore: Manuel Ocampo

Sylvia Tsai

BANI ABIDI, Death at a 30 Degree Angle, 2012, still from video installation: 15 min.Courtesy the artist and Experimenter Gallery, Kolkata.

Issue

Berlin: Bani Abidi

Clara Tang

Issue

Basel: Geumhyung Jeong

Installation view of WONG PING’s The Ha Ha Ha Online Cemetry Limited (foreground), 2019, toy dentures, dimensionsvariable, and Dear, Can I Give You a Hand? (background), 2018, anim

Issue

London: Wong Ping

Ned Carter Miles

Installation view of MRINALINI MUKHERJEE’s “Phenomenal Nature” at the Met Breuer, New York, 2019.Courtesy the Metropolitan Museum of Art, New York.

Issue

New York: Mrinalini Mukherjee

MIMI WONG

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