The Editors

Installation view of *ANNE SAMAT*'s _Conundrum Ka Sorga (To Heaven)_, 2019, rattan sticks, yarns, washers, rakes, PVC chains, home and fashion accessories, kitchen and garden utens

Issue

Bangkok: Spectrosynthesis II: Exposure of Tolerance

David Willis

Detailed installation view of *ALI CHERRI*'s _Graftings (I)_, 2019, Apollon woman's head, carved stone statue representing a bishop of Normandy, polyurethane foam, metal nails, 110

Issue

Dubai: Phantom Limb

Lesley Ann Gray

*NAM JUNE PAIK*, _Bye Bye Kipling_, 1986, still from single-channel video with color and sound: 30 min 32 sec. Courtesy the Estate of Nam June Paik and Electronic Arts Intermix, Ne

Issue

London: Nam June Paik

Ned Carter Miles

*NICOLAS MOUFARREGE*, _The First Time Ever I Saw the Volcano_, 1979, thread and pigment on needlepoint canvas, 114.3 x 146 cm. Courtesy Nabil Moufarrej and Gulnar

Issue

New York: Nicolas Moufarrege: Recognize My Sign

Bansie Vasvani

Installation view of *HAJRA WAHEED**'s _Khwabgah 1-9_, 2019, oil paint on tin, nine pieces, 12.7 x 17.8 cm each, at

Issue

Toronto: Hajra Waheed: Hold Everything Dear

Ricky Varghese

TUAN ANDREW NGUYEN, The Specter of Ancestors Becoming, 2019, still from four-channel video installation with color and surround sound: 28 min. Courtesy the artist and James Cohan,

Issue

San Francisco: Soft Power

Jennifer S. Li

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Issue

117 Book Reviews: Critical Conditions

Ophelia Lai, Pamela Wong, Brady Ng

ZHANG PEILI and one of his Hangzhou studios.

Issue

Where I Work: Zhang Peili

Lauren Long

Illustration by Renee Li for ArtAsiaPacific.

Ideas

The Point: Remember when contemporary art solved the climate crisis?

Sean Raspet

Installation view of ZHENG MAHLER’s Nostalgia Machines, 2019, video installation: 15 min, in collaboration with REIJIRO AOYAMA, at “Phantom Plane: Cyberpunk in the Year of the Futu

Imported

Phantom Plane: Cyberpunk in the Year of the Future

OPHELIA L AI

MARTHA ATIENZA, Tarong 11°16'12.0

Imported

Equation of State

JOHN ALEXIS BALAGUER

Installation view of *HUANG YONG PING*'s _Serpent d’Ocean_, 2012, permanent in-situ installation of aluminum and iron, 125 x 4 x 4 m, at

Issue

Huang Yong Ping: Will It Return?

Hou Hanru

*DANIEL JOSEPH MARTINEZ*'s _Museum Tags: Second Movement (Overture)_; or, _Overture con Claque (Overture with Hired Audience Members)_, 1993, paint and enamel on metal, 30.48 x 38.

Issue

One on One: Tuan Andrew Nguyen on Daniel Joseph Martinez

Tuan Andrew Nguyen

Imported

Deep Roots

LAUREN LONG

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