The Editors

Issue 117

Magazine

Issue 117

Mar/Apr 2020

Installation view of *NORIYUKI HARAGUCHI*'s

Ideas

√K Contemporary Inaugurates Tokyo Space With New Works By Mono-ha Luminary Noriyuki Haraguchi

ArtAsiaPacific

Installation view of “Cognitive Dissidents: Reasons to be Cheerful,” at Griffith University Art Museum, Brisbane, 2020. Photo by Carl Warner. Courtesy Griffith University Art Museu

Imported

Infinite Feedback in “Cognitive Dissidents: Reasons to be Cheerful”

Sophie Rose

Installation view of Art Dubai, 2019. Courtesy Art Dubai and Photo Solutions.

News

Bailouts for Cultural Workers Across Asia-Pacific

Pamela Wong

*JEAN SHIN* sitting on a bundle of Ethernet cables, part of _E-bundles_ (2017), in her studio in Hudson Valley, New York. All photos taken by Mimi Wong for ArtAsiaPacific.

Ideas

Life in Scraps: Studio Visit with Jean Shin

Mimi Wong

Exterior of Boers-Li Gallery, now known as Spurs Gallery, in Beijing. Image via Boers-Li's page on the Art Basel website.

News

More Corona-Chaos: Monday News Roundup

The Editors

News

California’s Oldest Art School in Peril

PAMELA WONG

The Third Line's virtual gallery, presented as part of Alserkal Online. Image via Alserkal Online.

Ideas

Coronaviewing, Part 2: A (Weekend) Guide to the Online Art World

The Editors

Installation view of “Taking Shape: Abstraction from the Arab World, 1950s–1980s” at Grey Art Gallery, New York University, 2020. All images courtesy Grey Art Gallery.

Imported

Taking Shape: Abstraction from the Arab World, 1950s–1980s

Mimi Wong

News

Reality Bites Art Basel Online Viewing Rooms

HG Masters, Lauren Long

Art Basel In Basel Postponed to September

News

Art Basel In Basel Postponed to September

ArtAsiaPacific

The newly renovated Kyoto City Museum of Art, renamed Kyoto City Kyocera Museum of Art, will re-open to the public in April. Photo by Takeru Koroda. Courtesy Kyoto City Kyocera Mus

News

87-Years-Old Kyoto City Museum of Art Will Reopen In April

Pamela Wong

*GUANYU XU*, _Worlds Within Worlds_, 2019, archival pigment print, 108 x 133 cm. All images courtesy the artist and Yancey Richardson Gallery, New York.

Imported

Queering Spaces: Guanyu Xu's "Temporarily Censored Home"

Tanner Tafelski

News

Revamped Jameel Prize Launches Open Call

Ophelia Lai

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