The Editors

Installation view of *TETSUYA ISHIDA*'s

Imported

Self-Portrait of Other

Harry C. H. Choi

Architect ANDRÉS JAQUE is the chief curator of the 13th Shanghai Biennale, which will open at the Power Station of Art in November 2020. Portrait by Miguel de Guzmán. Courtesy Andr

News

Andrés Jaque Named Chief Curator Of 2020 Shanghai Biennale

Ophelia Lai

Partial installation view of *JOHN VEA*'s Section 69ZD Employment Relations Act 2000, 2019, participatory installation, dimensions variable, at

Imported

If I pick your fruit, will you put mine back?

Chloé Wolifson

Issue 116

Magazine

Issue 116

Nov/Dec 2019

Still from HU BO's _An Elephant Sitting Still_, 2018, feature film: 234 min, producer: Fu Dongyan, distribution: Capricci Films. All images copyright and courtesy Capricci Films.

Ideas

Antidisciplinary: Absurdism in “An Elephant Sitting Still”

Ysabelle Cheung

Installation view of *EMILY JACIR*'s _Ex Libris_, 2019, translation and painted mural, dimensions variable, at “ÜberMauer,” Biennale Arcipelago Mediterraneo 2019, Palermo. All imag

Imported

Biennale Arcipelago Mediterraneo: ÜberMauer

Cleo Roberts

Installation view of *MADHVI PAREKH*'s “The Curious Seeker,

Imported

The Curious Seeker

Bansie Vasvani

Installation view of *BARBARA KRUGER*'s _Untitled (Forever)_, 2017, digital print on vinyl wallpaper, 570 x 2,870 x 1,830 cm, at

Imported

Forever

Andy St. Louis

*SHAHIDUL ALAM*, _Protesters in Motijheel Break Section 144 on Dhaka Siege Day_, 1987, photograph, dimensions variable. Courtesy the artist, Drik, and Majority World.

Ideas

AAP Monthly Picks: November–December 2019

The Editors

News

Over 350 Artworks From German Private Collection Lost In China

Ophelia Lai

News

Beijing Censors Deny Permit For UCCA Exhibition

Ophelia Lai

The three winners of the Hyundai Blue Prize 2019, from left to right: Sustainability Prize winner *CHEN JIAYIN*; Creativity Prize winners *ZHANG YEHONG* and *CHEN MIN*. Photo by HG

News

Hyundai Motorstudio Beijing Announces 2019 Blue Prize Winners

HG Masters

Installation view of “Modernisms: Iranian, Turkish, and Indian Highlights from NYU’s Abby Weed Grey Collection,” at Grey Art Gallery, New York University, 2019. Photo by Nicholas P

Shows

“Modernisms: Iranian, Turkish, and Indian Highlights from NYU’s Abby Weed Grey Collection”

A sampling of global art practices during the 1960s and ’70s and a glimpse into the collector’s eye. Mimi Wong

Guangzhou’s Redtory Museum of Contemporary Art—one of the last platforms to remain standing in the Redtory art and design district—has been closed in preparation for the building's

News

Redtory Art District Slated For Demolition

Ophelia Lai

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