The Editors

Pro-democracy protesters gather in Bangkok on July 18, 2020. Image via Facebook.

News

Thailand’s Artists Call for Democracy and Political Reform

Fion Tse

Detailed installation view of *CHRISTOPHER K. HO*’s _Always Stop Eating While You’re Still a Little Hungry_, 2020, brass, magic eyes, 3D print, window decal, steel, wood, audio, 21

Shows

Specters of History at “Next Act: Contemporary Art from Hong Kong”

Cultural histories resonate with contemporary anxieties about the region’s position between hegemonic spheres of influence. HG Masters

View of Fine Art Asia in 2019. Image via Facebook.

News

Hong Kong’s Fine Art Asia Latest Fair to be Postponed

Pamela Wong

Photo of International Council of Museums (ICOM)'s annual meeting. Image via ICOM's Facebook.

News

International Museum Group Cannot Agree on Definition of “Museum”

Fion Tse

The

Ideas

Virality as Metaphor and Agent: Susan Sontag’s Illness As Metaphor in the Era of Covid-19

Kaitlin Hao

Exterior of the Auckland Art Gallery Toi o Tāmaki. Image via Wikipedia.

News

Auckland Galleries and Museums Shutter Again

Fion Tse

Artist *NGARRALJA TOMMY MAY* has won the 2020 Telstra Art Award. Image via Facebook.

News

Winners Revealed for Australia’s National Indigenous Arts Awards

Pamela Wong

Installation view of *MARK RYDEN*’s God Yak (#138), 2019, oil on canvas on artist’s frame, 137.2 × 127 × 6.7 cm, at “Anima Animals,” Perrotin, Shanghai, 2020. Image via artist’s In

Shows

What’s Up in Shanghai: August–September 2020

ArtAsiaPacific

News

Art Communities Unite To Raise Funds For Beirut

Fion Tse

Installation view of *GARY SIMMONS*’s “Dancing in Darkness,” at Simon Lee Gallery, Hong Kong, 2020. All photos by Daniel Murray. All images courtesy Simon Lee Gallery, Hong Kong /

Imported

Racial Justice in Gary Simmons’s "Dancing In Darkness"

Eman Naseer

*TAREK ATOUI* has won the 2022 Suzanne Deal Booth / FLAG Art Foundation Art Prize. Photo by Matteo Bellomo Fabrica. Image via Facebook.

News

Tarek Atoui Wins 200K Art Prize

Fion Tse

Screengrab from *ES DEVLIN* and *MACHIKO WESTON*'s I Saw the World End (2020), commissioned by the Imperial War Museums, United Kingdom. Image via the youtube channel of Imperial W

News

Video Commission Marks 75th Anniversary of Nuclear Bombing

Kaitlin Hao

Rendering of Superblue Experiential Art Center in Miami. Photo by Moris Moreno. Courtesy Superblue.

News

Will Art be Replaced by Experiences?

Fion Tse

Tapestries, Canvases, Physical, Digital: Silverlens Opens Hybrid Exhibitions for August

Shows

Tapestries, Canvases, Physical, Digital: Silverlens Opens Hybrid Exhibitions for August

ArtAsiaPacific

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