The Editors

Installation view of _Black Balthazar_, 2013, birch plywood, rattan core, and water-based paint, 123 x 115 x 30 cm, at

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Mai-Thu Perret: I Know the Meaning of Revolution

Chloe Chu

Up Close: Farid Rasulov

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Up Close: Farid Rasulov

Ophelia Lai

*GREGOR HILDEBRANDT*, _Im Zimmer die Decke betrachtend_, 2018, inkjet print, inlays, and plastic boxes in wooden case, 170 x 125 cm. Photo by Roman Marz. Courtesy the artist and We

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Inside Burger Collection 35: Gregor Hildebrandt: A House Made of Songs

Barry Schwabsky

Detailed installation view of YHONNIE SCARCE’s In the Dead House, 2020, glass, dimensions variable, at theAdelaide Biennial of Australian Art: “Monster Theatres,” Adelaide Botanic

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Adelaide: Adelaide Biennial of Australian Art: Monster Theatres

Michaela Bear

*HWAYEON NAM*, _Larger than Life_, 2019-20, still from four-channel video installation: 25 min 47 sec. Courtesy the artist.

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Seoul: Hwayeon Nam: Mind Stream

Andy St. Louis

Installation view of JEFFREY SHAW's _The Golden Calf_, 1994/2018, mixed-media installation, dimensions variable, at

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Hong Kong: Jeffrey Shaw: WYSIWYG

HG Masters

*ANTONIO PICHILLA*'s _Nudo/Knot_, 2014, oil on canvas and handmade textile. Courtesy the artist.

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Hong Kong: Garden of Six Seasons

Ophelia Lai

*ROBERT ZHAO RENHUI*, _The Lines We Draw II (Towards North Korea)_, 2019, UV printed lightbox, 100 x 150 x 12 cm.Courtesy the artist and ShanghArt Gallery, Shanghai / Beijing / Sin

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Singapore: Robert Zhao Renhui: The Lines We Draw

Marybeth Stock

*HASANUL ISYRAF IDRIS*,_ Nadi of Puspa_, 2017, from the _HOL (Higher Order Love) Chapter 2.3, Wound: Environment of Naga and Doubt_ series, 2017, watercolor, ink and color pencil o

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Kuala Lumpur: The Body Politic and the Body

Beverly Yong

*ADJI DIEYE*'s _Maggic Cube_, 2016-19, lambda print on aluminum and yellow wooden frame, 100 x 70 cm. Courtesy the artist.

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Vienna: . . . of bread, wine, cars, security and peace

Brian Haman

Installation view of *TRISHA BAGA*'s _Mollusca & The Pelvic Floor_, 2018, ceramics and various materials,two-channel projection with 2D video and 3D video: 37 min 18 sec, at

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Milan: Trisha Baga: The eye, the eye and the ear

Alessandra Alliata Nobili

Installation view of (foreground) Seated Figure, Neo-Hittite, c. 10th-9th century BCE, basalt, 192 x 82 x 100 cm;(background) *RAYYANE TABET*'s _Genealogy_, 2016- , goat hair, dime

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New York: Rayyane Tabet

Tanner Tafelski

*SHANNON TE AO*, _Ka mua, ka muri_, 2020, still from two-channel video: 5 min 30 sec. Courtesy the artist.

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Toronto: Shannon Te Ao: Ka mua, ka muri

Ricky Varghese

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Book Reviews: Art History’s Takeaways

Chloe Chu, HG Masters, Ophelia Lai

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