The Editors

Installation view of *HENRY SHUM* _Dream Construction_, 2020, oil on canvas, 181.2 x 121.2 x 5.6 cm, at “Vortices,” Empty Gallery, Hong Kong, 2020. Photo by Michael Yu. All images

Shows

Enter the Void: Henry Shum’s Mystical “Vortices”

A fever dream of perilous journeys and mystical awakenings. Ophelia Lai

The Sursock Museum in Beirut, after the building's facade has
temporarily been weatherproofed using polythene sheets and plywood.
Photo by Rowina BouHarb. Image via Facebook.

News

Recovery Work Continues in Beirut Three Months After Blast

Stephanie Siu

Portrait of *CHITRA GANESH*. Image via Instagram.

News

Chitra Ganesh Wins 2020 Anonymous Was a Woman Grant

Stephanie Siu

Now Open | Takis at White Cube Hong Kong

Shows

Now Open | Takis at White Cube Hong Kong

ArtAsiaPacific

Video

The Impact of Covid-19 on the Asia-Pacific Art Market

The Editors

A portrait of *ANJUM SINGH*. Photo by Shades of India. Image via Twitter.

News

Obituary: Anjum Singh (1967–2020)

Ariana Heffner

Exterior view of the Gwangju Biennale Exhibition Hall. Courtesy the Gwangju Biennale Foundation.

News

The 13th Gwangju Biennale Reveals Full Artist List

Emika Suzuki

Portrait of *BETTY FUNG*. Image via Instagram.

News

Chief Executive Advisor Named Interim Head at Hong Kong Art District

Pamela Wong

Photo documentation of the performance in front of *SU HUI-YU*’s _The White Waters_, 2019, three-channel video installation with color: 35 min, at Taiwan Contemporary Culture Lab (

Shows

Futures Retold: Su Hui-Yu’s “The White Waters”

Christopher Whitfield

Art Basel Hong Kong in 2019. Courtesy Art Basel.

News

Art Basel Hong Kong Delayed to May 2021

ArtAsiaPacific

Installation view of *PATTY CHANG*’s “Milk Debt,” at 18th Street Arts Center, Santa Monica, 2020. All images courtesy the artist.

Shows

Maternal Relief: Patty Chang’s “Milk Debt”

Jennifer S. Li

Portrait of *DENNIS GOLDING*. Photo by Document. Courtesy the artist and Artspace, Sydney.

News

First Indigenous Australian To Win NSW Visual Arts Emerging Fellowship

Stephanie Siu

Installation view of

Shows

Digital Self-Defense: Microwave International New Media Arts Festival 2020

Critically assessing the extraction, transmission, and reception of information in the age of big data. Ophelia Lai

Photo documentation of _In the Mood – A Love Letter to Wong Kar-wai and Hong Kong_, performance: 40 min 35 sec, at Sydney Opera House, 2020. Photo by Daniel Boud. All images courte

Shows

In the Mood – A Love Letter to Wong Kar-Wai and Hong Kong

Johanna Bear

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