The Editors

Installation view of *GU XIONG*'s _I sit on stone_, 2020, sand and fabric, dimensions variable, at

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Vancouver: Gu Xiong: The Remains of a Journey

Asia Jong

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Milan: Chen Zhen: Short-Circuits

Alessandra Alliata Nobili

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Singapore: Mike HJ Chang: Calendar of Dilation

Louis Ho

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Manila: Familiar Hunting, Unfamiliar Gathering

Dominic Zinampan

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Sydney: Lindy Lee: Moon in a Dew Drop

Johanna Bear

Installation view of *TAREK ATOUI*'s _The Wave_, 2019, composition for The Disharmonica, The Duofluctus, Horns of Putin, The Lithophone, The Lymaçon, The Piezothing, The Rotator,

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Sharjah: Tarek Atoui: Cycles in 11

Ruba Al-Sweel

Installation view of *TAKIS*'s solo exhibition at White Cube, Hong Kong, 2020-21. Photo by Kitmin Lee/White Cube. Copyright the artist. Courtesy White Cube, London/Hong Kong.

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Hong Kong: Takis

Ophelia Lai

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Wang Tuo: Mind’s Eye

Ophelia Lai

Portrait of MIN OH. Photo by Kim S. Gon. Courtesy Elle.

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Min Oh: Movement as Material

Andy St. Louis

Portrait of *AU SOW YEE*. Photo by Lin Yu-Quan. Courtesy the artist.

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Au Sow Yee: Afterimage

Chloe Chu

Installation view of

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Land, Landlessness, Mobility: Asian and Indigenous Artists Disrupt Colonial Chronology

Asian and Indigenous Artists Disrupt Colonial Chronology Godfre Leung

Installation view of GU XIONG’s I sit on stone, 2020, sand and fabric, dimensions variable, at

Imported

The Remains of a Journey

Asia Jong

Photo of MICHAEL FINDLAY and RAY JOHNSON at Richard Feigen Gallery, New York, c. 1968. Photo by William S. Wilson. Courtesy the Ray Johnson Estate.

Imported

Wong Kit Yi on Michael Findlay

Wong Kit Yi

Imported

Living in the Edge

Frances Arnold

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