The Editors

<b>YOSHITOMO NARA</b>, <i>Knife Behind Back</i>, 2000, acrylic on canvas, 234 x 208 cm. Courtesy Sotheby's Hong Kong.

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The Artists of 2020: Yoshitomo Nara

HG MASTERS

Installation view of <b>TAREK ATOUI</b>'s

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The Artists of 2020: Tarek Atoui

HG MASTERS

<b>BROOK ANDREW</b>, <i>This year, dealing with it . . . </i>, 2020, paper, wood, neon acrylic, 76 x 106 x 8.5 cm. Photo by Luis Power. Courtesy the artist and Roslyn Oxley9 Galler

Issue

The Artists of 2020: Brook Andrew

HG Masters

Installation view of <b>MAI-THU PERRET</b>'s (front) _T<i>he merging of all into one-this cannot be grasped_</i>, 2020, glazed ceramics, dimensions variable; and (back) _Les Etangs

Issue

The Artists of 2020: Mai-Thu Perret

chloe chu

<b>FORENSIC ARCHITECTURE</b>, <i>Cloud Studies</i>, 2020, stills from video created via 3D modeling, fieldwork geolocation, fluid dynamics, image complex, machine learning, OSINT,

Issue

The Artists of 2020: Forensic Architecture

Ophelia Lai

<b>LEELEE CHAN</b>,<i> Blindfold Receptor (Gulf Frit. Orange)</i>, 2020, powder-coated steel columns, stainless-steel base and hardware, epoxy clay, and wheels, 302 x 94.5 x 33 cm.

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The Artists of 2020: Leelee Chan

Chloe chu

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City Reports: A Portal Beyond

CHLOE CHU

<b>VINCENT NAMATJIRA</b>, <i>Stand strong for who you are</i>, 2020, acrylic on linen, 152 x 198 cm.
Copyright the artist. Photo by Mim Stirling/Art Gallery of New South Wales. Cou

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Ngunnawal, Ngambri and Gadigal Land: First Nations First

Soo-Min Shim

Installation view of <b>CHIHARU SHIOTA</b>’s <i>The Language of God</i>, 2020, mixed media, dimensions variable, at the former Armed
Forces’ Gwangju Hospital, 2020. Courtesy Gwangj

Issue

Seoul: Relatively Normal

Andy St. Louis

Photo of <b>JUN YANG</b> and <b>MICHIKAZU MATSUNE</b>'s <i>Dear Friend</i>, 2020, performance at Taipei Arts Festival, Zhongshan Hall, Taipei, 2020. Photo by Tsai Yao-Cheng. Courte

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Taipei: Ilha Formosa

Daphne Chu

<b>HSU CHE-YU</b>, <i>The Unusual Death of a Mallard</i>, 2020, still from video: 16 min 45 sec. Courtesy the artist.

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Shanghai: The Rush to Normalcy

Billy Tang

<b>MANUEL OCAMPO</b> and <b>JIGGER CRUZ</b>, <i>Revolving Objects of Disintegrations</i>, 2020, oil on canvas, 190.5 x 137.2 cm. Courtesy The Drawing Room, Manila. Copyright and co

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Manila: Sequestered, Not Silenced

John Alexis Balaguer

Installation view of <b>HO SIN TUNG</b>’s “<i>Swampland</i>” at Hanart TZ Gallery, Hong Kong, 2020. Courtesy the artist.

Issue

Hong Kong: Ho Sin Tung

The Editors

Group photo of <b>RUANGRUPA</b>, from left to right: Reza Afisina, Indra Ameng, Farid Rakun, Daniella Fitria Praptono, Iswanto Hartono, Ajeng Nurul Aini, Ade Darmawan, Julia Sarise

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Jakarta: Ruangrupa

The Editors

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